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The Prince

Part of A Penguin Classics Hardcover

Author Niccolo Machiavelli
Illustrated by Coralie Bickford-Smith
Introduction by Tim Parks
Translated by Tim Parks
Hardcover
$21.00 US
Penguin Adult HC/TR | Penguin Classics
4.43"W x 6.89"H x 0.84"D   | 8 oz | 20 per carton
On sale Apr 28, 2015 | 240 Pages | 978-0-14-139587-6
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A new series of beautiful hardcover nonfiction classics, with covers designed by Coralie Bickford-Smith

World-changing ideas meet eye-catching design: the best titles of the extraordinarily successful Great Ideas series are now packaged in Coralie Bickford-Smith’s distinctive, award-winning covers. Whether on a well-curated shelf or in your back pocket, these timeless works of philosophical, political, and psychological thought are absolute must-haves for book collectors as well as design enthusiasts.

As a diplomat in turbulent fifteenth-century Florence, Niccolò Machiavelli knew how quickly political fortunes could rise and fall. The Prince, his tough-minded, pragmatic handbook on how power really works, made his name notorious and has remained controversial ever since. How can a leader be strong and decisive, yet still inspire loyalty in his followers? When is it necessary to break the rules? Is it better to be feared than loved? Examining regimes and their rulers the world over and throughout history, from Roman Emperors to renaissance Popes, from Hannibal to Cesare di Borgia, Machievalli answers all these questions in a work of realpolitik that still has shrewd political lessons for modern times. Tim Parks's acclaimed contemporary translation renders Machiavelli's pointed original  into language that feels as alarming and enlightening as when it was first written. His introduction discusses Machiavelli's life and reputation, and explores the historical background to the work.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
“[Machiavelli] can still engage our attention with remarkable immediacy, and this cannot be explained solely by the appeal of his ironic observations on human behaviour. Perhaps the most important thing is the way he can compel us to reflect on our own priorities and the reasoning behind them; it is this intrusion into our own defenses that makes reading him an intriguing experience. As a scientific exponent of the political art Machiavelli may have had few followers; it is as a provocative rhetorician that he has had his real impact on history.” –from the Introduction by Dominic Baker-Smith
Niccolò Machiavelli (1469-1527) was a Florentine statesman who was later forced out of public life. He then devoted himself to studying and writing political philosophy, history, fiction, and drama. View titles by Niccolo Machiavelli
Coralie Bickford-Smith is an award-winning designer at Penguin Books, where she has created several highly acclaimed series designs. She studied typography at Reading University and lives in London. View titles by Coralie Bickford-Smith
I
How many kinds of principality there are and the ways in which they are acquired

All the states, all the dominions under whose authority men have lived in the past and live now have been and are either republics or principalities. Principalities are hereditary, with their prince's family long established as rulers, or they are new. The new are completely new, as was Milan to Francesco Sforza, or they are like limbs joined to the hereditary state of the prince who acquires them, as is the kingdom of Naples in relation to the king of Spain. Dominions so acquired are accustomed to be under a prince, or used to freedom; a prince wins them either with the arms of others or with his own, either by fortune or by prowess.

Copyright © 2005 by Niccolo Machiavelli. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

About

A new series of beautiful hardcover nonfiction classics, with covers designed by Coralie Bickford-Smith

World-changing ideas meet eye-catching design: the best titles of the extraordinarily successful Great Ideas series are now packaged in Coralie Bickford-Smith’s distinctive, award-winning covers. Whether on a well-curated shelf or in your back pocket, these timeless works of philosophical, political, and psychological thought are absolute must-haves for book collectors as well as design enthusiasts.

As a diplomat in turbulent fifteenth-century Florence, Niccolò Machiavelli knew how quickly political fortunes could rise and fall. The Prince, his tough-minded, pragmatic handbook on how power really works, made his name notorious and has remained controversial ever since. How can a leader be strong and decisive, yet still inspire loyalty in his followers? When is it necessary to break the rules? Is it better to be feared than loved? Examining regimes and their rulers the world over and throughout history, from Roman Emperors to renaissance Popes, from Hannibal to Cesare di Borgia, Machievalli answers all these questions in a work of realpolitik that still has shrewd political lessons for modern times. Tim Parks's acclaimed contemporary translation renders Machiavelli's pointed original  into language that feels as alarming and enlightening as when it was first written. His introduction discusses Machiavelli's life and reputation, and explores the historical background to the work.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Praise

“[Machiavelli] can still engage our attention with remarkable immediacy, and this cannot be explained solely by the appeal of his ironic observations on human behaviour. Perhaps the most important thing is the way he can compel us to reflect on our own priorities and the reasoning behind them; it is this intrusion into our own defenses that makes reading him an intriguing experience. As a scientific exponent of the political art Machiavelli may have had few followers; it is as a provocative rhetorician that he has had his real impact on history.” –from the Introduction by Dominic Baker-Smith

Author

Niccolò Machiavelli (1469-1527) was a Florentine statesman who was later forced out of public life. He then devoted himself to studying and writing political philosophy, history, fiction, and drama. View titles by Niccolo Machiavelli
Coralie Bickford-Smith is an award-winning designer at Penguin Books, where she has created several highly acclaimed series designs. She studied typography at Reading University and lives in London. View titles by Coralie Bickford-Smith

Excerpt

I
How many kinds of principality there are and the ways in which they are acquired

All the states, all the dominions under whose authority men have lived in the past and live now have been and are either republics or principalities. Principalities are hereditary, with their prince's family long established as rulers, or they are new. The new are completely new, as was Milan to Francesco Sforza, or they are like limbs joined to the hereditary state of the prince who acquires them, as is the kingdom of Naples in relation to the king of Spain. Dominions so acquired are accustomed to be under a prince, or used to freedom; a prince wins them either with the arms of others or with his own, either by fortune or by prowess.

Copyright © 2005 by Niccolo Machiavelli. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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