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Piper at the Gates of Dusk

Paperback
$14.99 US
5-1/4"W x 8-1/2"H | 13 oz | 1 per carton
On sale Mar 09, 2027 | 352 Pages | 9781536256789
Age 14 and up | Grade 9 & Up

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Two-time Carnegie Medalist Patrick Ness makes a thrilling return to the world of Chaos Walking with this launch of the extraordinary New World trilogy.

It’s been twenty years since the monstrous war that almost tore New World apart, and there’s a new generation on the planet. Todd and Viola’s sons Ben and Max have known only peace growing up on the family farm outside a bustling human settlement. They dream of the usual things, like school and adventure, until the nightmares begin . . .
A sudden sickness has infected the young people of New World with Noise in the form of their worst thoughts about themselves. Some suspect the Spackle, the indigenous people with whom humans have a very uneasy truce. Others wonder about a connection to a mysterious object looming in the sky. And then, one by one, the children of New World begin to disappear.
Ben, with his mother’s logical mind, and Max, with his father’s courageous heart, become caught up in separate quests for answers, journeys that will test their beliefs in their parents, each other, and in their very existence on the planet.
Patrick Ness makes a masterful return to New World in this timely work of science fiction, one that looks at the interplay of fear, power, and propaganda, and at the stories we tell ourselves.
Ness expertly weaves discussions of environmentalism, xenophobia, disability, gender identity, misinformation and disinformation, and more around explorations of family, personal agency, and belonging, creating a creative science-fiction roller coaster. An absorbing, deeply human tale of finding common ground in the perpetual struggle to do the next right thing.
—Kirkus Reviews (starred review)

[A] gripping trilogy opener. . . . Witty, propulsive first-person narration alternates between the sibs’ perspectives as they navigate issues of morality, mortality, identity, and disinformation.
—Publishers Weekly (starred review)

Gripping and emotional. . . . Ness . . . delivers an incredibly layered story about settler colonialism, belonging, and the dangers of deceitful leadership, brilliantly juxtaposed with a gorgeous portrayal of interconnection.
—Shelf Awareness (starred review)

Ness tackles timely topics, such as identity, prejudice, and the consequences of misinformation.
—School Library Journal

[A] spectacular return to the world of his Chaos Walking trilogy. . . . the story will appeal to returning readers and new fans alike, desperate to follow Max and Ben to the end of the world to get answers on why the young people of New World begin to disappear, who the brothers can trust, and what it all means.
—Booklist

[A] welcome return to the world established in the Chaos Walking trilogy. . . . Ben and Max are each compelling narrators with strong perspectives. . . . Ness’ immersive worldbuilding is fluid and subtle, with small details woven into observations, dialogue, stories from the Land, and even relationships and what those show about the planet. It all ends on a stunning cliffhanger, but fans can at least take heart that there are two more novels coming and new readers will be thrilled to have the original trilogy to read while waiting.
—Bulletin of the Center for Children's Books

Ness is a skillful storyteller—plot, character, and setting remain as propulsive as ever—and the themes of xenophobia and propaganda in this story will especially remain with readers.
—The Horn Book
Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy, as well as Chronicles of a Lizard Nobody and it sequel, Chronicles of a Lizard Nobody: The Hat of Great Importance. He wrote the #1 New York Times bestseller A Monster Calls (inspired by an idea from Siobhan Dowd), which won both the Carnegie Medal and the Kate Greenaway Medal, was a Los Angeles Times Book Prize Finalist, and was made into a major motion picture for which he wrote the screenplay. He is also the author of More Than This, Release, Different for Boys, The Rest of Us Just Live Here, and Burn. His many accolades include two Carnegie Medals, an Olivier Award, the Guardian Children’s Fiction Prize, the BookTrust Teenage Prize, and the Costa Children’s Book Award. Patrick Ness lives in Los Angeles and London.

Teaser Trailer

Ben
Chapter 1
The god comes screaming through the trees, shoving them to each side like matchsticks, breaking and burning them as it thrashes its way out of the woods to come running, stumbling, screaming to the shore of the lake–
Where me and Max have nowhere to run.
It looks like a giant, skinless man, just muscles on bones, a jaw full of teeth, and wild, staring eyeballs with no lids. Maybe it’s screaming because of the skinlessness or maybe because flames cover nearly all of it, like it’s coated in fuel. The burning is almost invisible except in a kind of rippling glow all around it with blue and yellow flames billowing from the top of its head. You can see its skinless body underneath as it screams and screams–
Which is terrible, a sound so inhuman and despairing it actually hurts, actually makes your skin pull and pucker like it’s trying to get away, but the scream rose so fast all we really had time to do when we heard it was turn around, and there was a god–
“Ben, come on!” Max yells, grabbing my arm–
I must be going with him, but even now I know there’s no time, that a god is coming for us and no one can outrun a god and I can’t take my eyes off it or plug my ears from the scream–
The ground shakes as the god powers forward, the water in the lake actually splashing, as boom, boom, boom, the god stomps toward us like a charging bull, crushing bushes and stones, burning everything it touches. Like a mountain coming at you, like the whole landscape peeling up into the sky, as if someone’s grabbed the far corners of it like a blanket and pulled it into the air, and all you can do is watch your death come at you, because there’s nowhere to stand, nowhere to run–
Though we’re surrounded by animals who are trying to, breaking from the forest in front of the god, scrambling in all directions, tiny deer, forest squirrels, low-flying birds in wide-eyed terror, even the bared teeth of a rine, which up until this moment I would have called the scariest thing out here. Their Noise is a panic, no words, just the need to get away, the same need that’s made Max try to drag me along the lakeshore, not because it will help, but because our bodies refuse to accept the obvious–
We’re going to die–
There is nothing, not one little thing, we can do to stop it. We will be killed by a burning, screaming god–
And it’s on us even though we’re running along the lakeshore–
It’s here–
We duck our heads, instinctively, stupidly, as the god stretches out its hand to–
To me
Oh, crap–
It’s reaching for me–
It’s going to grab me–
I push Max to get him out of the way if I can–
The god’s hand comes down–
I hunch my back, waiting for the crush of the fingers, the burn of the flames–
And–
The god misses me.
It steps over us both, its momentum carrying it on past us with a stride as long as a crop field, one burning, twitching foot above our heads just for a moment, its hand swinging past me, so close I feel the heat burn the hairs on the back of my neck, like I’ve only just slipped out of its grasp.
But there’s no time to think about it, because the god crashes into the lake, its whole body falling forward, every towering, burning muscle of it, sending a huge wave of water over us, blasting away our little fishing spot, smashing us back up the bank in a drowning flood.
I reach out for Max, but my arm is knocked away by a log that’s been swept up. The water is murky and brown, the mud stirred up by the giant that’s fallen into it, and when it finally drops us and we cough all the water out of our lungs, we’re covered in a layer of dirt and silt.
And as sudden as that, it’s quiet.

About

Two-time Carnegie Medalist Patrick Ness makes a thrilling return to the world of Chaos Walking with this launch of the extraordinary New World trilogy.

It’s been twenty years since the monstrous war that almost tore New World apart, and there’s a new generation on the planet. Todd and Viola’s sons Ben and Max have known only peace growing up on the family farm outside a bustling human settlement. They dream of the usual things, like school and adventure, until the nightmares begin . . .
A sudden sickness has infected the young people of New World with Noise in the form of their worst thoughts about themselves. Some suspect the Spackle, the indigenous people with whom humans have a very uneasy truce. Others wonder about a connection to a mysterious object looming in the sky. And then, one by one, the children of New World begin to disappear.
Ben, with his mother’s logical mind, and Max, with his father’s courageous heart, become caught up in separate quests for answers, journeys that will test their beliefs in their parents, each other, and in their very existence on the planet.
Patrick Ness makes a masterful return to New World in this timely work of science fiction, one that looks at the interplay of fear, power, and propaganda, and at the stories we tell ourselves.

Praise

Ness expertly weaves discussions of environmentalism, xenophobia, disability, gender identity, misinformation and disinformation, and more around explorations of family, personal agency, and belonging, creating a creative science-fiction roller coaster. An absorbing, deeply human tale of finding common ground in the perpetual struggle to do the next right thing.
—Kirkus Reviews (starred review)

[A] gripping trilogy opener. . . . Witty, propulsive first-person narration alternates between the sibs’ perspectives as they navigate issues of morality, mortality, identity, and disinformation.
—Publishers Weekly (starred review)

Gripping and emotional. . . . Ness . . . delivers an incredibly layered story about settler colonialism, belonging, and the dangers of deceitful leadership, brilliantly juxtaposed with a gorgeous portrayal of interconnection.
—Shelf Awareness (starred review)

Ness tackles timely topics, such as identity, prejudice, and the consequences of misinformation.
—School Library Journal

[A] spectacular return to the world of his Chaos Walking trilogy. . . . the story will appeal to returning readers and new fans alike, desperate to follow Max and Ben to the end of the world to get answers on why the young people of New World begin to disappear, who the brothers can trust, and what it all means.
—Booklist

[A] welcome return to the world established in the Chaos Walking trilogy. . . . Ben and Max are each compelling narrators with strong perspectives. . . . Ness’ immersive worldbuilding is fluid and subtle, with small details woven into observations, dialogue, stories from the Land, and even relationships and what those show about the planet. It all ends on a stunning cliffhanger, but fans can at least take heart that there are two more novels coming and new readers will be thrilled to have the original trilogy to read while waiting.
—Bulletin of the Center for Children's Books

Ness is a skillful storyteller—plot, character, and setting remain as propulsive as ever—and the themes of xenophobia and propaganda in this story will especially remain with readers.
—The Horn Book

Author

Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy, as well as Chronicles of a Lizard Nobody and it sequel, Chronicles of a Lizard Nobody: The Hat of Great Importance. He wrote the #1 New York Times bestseller A Monster Calls (inspired by an idea from Siobhan Dowd), which won both the Carnegie Medal and the Kate Greenaway Medal, was a Los Angeles Times Book Prize Finalist, and was made into a major motion picture for which he wrote the screenplay. He is also the author of More Than This, Release, Different for Boys, The Rest of Us Just Live Here, and Burn. His many accolades include two Carnegie Medals, an Olivier Award, the Guardian Children’s Fiction Prize, the BookTrust Teenage Prize, and the Costa Children’s Book Award. Patrick Ness lives in Los Angeles and London.

Media

Teaser Trailer

Excerpt

Ben
Chapter 1
The god comes screaming through the trees, shoving them to each side like matchsticks, breaking and burning them as it thrashes its way out of the woods to come running, stumbling, screaming to the shore of the lake–
Where me and Max have nowhere to run.
It looks like a giant, skinless man, just muscles on bones, a jaw full of teeth, and wild, staring eyeballs with no lids. Maybe it’s screaming because of the skinlessness or maybe because flames cover nearly all of it, like it’s coated in fuel. The burning is almost invisible except in a kind of rippling glow all around it with blue and yellow flames billowing from the top of its head. You can see its skinless body underneath as it screams and screams–
Which is terrible, a sound so inhuman and despairing it actually hurts, actually makes your skin pull and pucker like it’s trying to get away, but the scream rose so fast all we really had time to do when we heard it was turn around, and there was a god–
“Ben, come on!” Max yells, grabbing my arm–
I must be going with him, but even now I know there’s no time, that a god is coming for us and no one can outrun a god and I can’t take my eyes off it or plug my ears from the scream–
The ground shakes as the god powers forward, the water in the lake actually splashing, as boom, boom, boom, the god stomps toward us like a charging bull, crushing bushes and stones, burning everything it touches. Like a mountain coming at you, like the whole landscape peeling up into the sky, as if someone’s grabbed the far corners of it like a blanket and pulled it into the air, and all you can do is watch your death come at you, because there’s nowhere to stand, nowhere to run–
Though we’re surrounded by animals who are trying to, breaking from the forest in front of the god, scrambling in all directions, tiny deer, forest squirrels, low-flying birds in wide-eyed terror, even the bared teeth of a rine, which up until this moment I would have called the scariest thing out here. Their Noise is a panic, no words, just the need to get away, the same need that’s made Max try to drag me along the lakeshore, not because it will help, but because our bodies refuse to accept the obvious–
We’re going to die–
There is nothing, not one little thing, we can do to stop it. We will be killed by a burning, screaming god–
And it’s on us even though we’re running along the lakeshore–
It’s here–
We duck our heads, instinctively, stupidly, as the god stretches out its hand to–
To me
Oh, crap–
It’s reaching for me–
It’s going to grab me–
I push Max to get him out of the way if I can–
The god’s hand comes down–
I hunch my back, waiting for the crush of the fingers, the burn of the flames–
And–
The god misses me.
It steps over us both, its momentum carrying it on past us with a stride as long as a crop field, one burning, twitching foot above our heads just for a moment, its hand swinging past me, so close I feel the heat burn the hairs on the back of my neck, like I’ve only just slipped out of its grasp.
But there’s no time to think about it, because the god crashes into the lake, its whole body falling forward, every towering, burning muscle of it, sending a huge wave of water over us, blasting away our little fishing spot, smashing us back up the bank in a drowning flood.
I reach out for Max, but my arm is knocked away by a log that’s been swept up. The water is murky and brown, the mud stirred up by the giant that’s fallen into it, and when it finally drops us and we cough all the water out of our lungs, we’re covered in a layer of dirt and silt.
And as sudden as that, it’s quiet.