Close Modal

The Knife of Never Letting Go

With Bonus Short Story

Paperback
$12.99 US
5.31"W x 8.56"H x 1.34"D   | 16 oz | 12 per carton
On sale Jul 22, 2014 | 528 Pages | 978-0-7636-7618-6
Age 14 and up | Grade 9 & Up
Reading Level: Lexile 860L
The riveting Chaos Walking trilogy by two-time Carnegie Medalist Patrick Ness, reissued with compelling new covers — and a bonus short story in each book.

“Narrated with crack dramatic and comic timing. . . . The cliffhanger ending is as effective as a shot to the gut.” — Booklist (starred review)


Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn't she killed by the germ like all the females on New World? Propelled by Todd's gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.
  • SELECTION
    ALA Best Books for Young Adults
Crack dramatic and comic timing… unforgettable… penetrating… The cliffhanger ending is as effective as a shot to the gut.
—Booklist (starred review)

The emotional, physical, and intellectual drama is well crafted and relentless...Tension [and] suspense…are palpable throughout, mitigated by occasional moments of welcome humor.
—School Library Journal

Todd’s world is a fascinating one, and the psychological and sociological impact of being unable to shut out others’ thoughts—or hide your own—is creatively explored … Todd’s colloquial voice is by turns defensive, belligerent, innocent, and desperate; the strength of his point of view and the subtle world-building contained in it make this series opener as promising as it is provocative.
—The Horn Book

Todd and Viola…are realistically portrayed as kids frequently overwhelmed and terrified by their circumstances…The nicely balanced mix of coming-of-age novel, science-fiction adventure, and dystopic thriller will make this an appealing choice for a range of genre readers…still unsolved mysteries, carefully developed by Ness and left at tantalizing moments of resolution, guarantee anticipation for the next two.
—Bulletin of the Center for Children's Books

Skillfully structured narrative creates an elegant mixture of action, dialogue, and dark, dsytopian pathos.
—VOYA

Gives us a glimpse of the depth of evil in our hearts…the ending of this book is absolutely chilling and leaves the reader begging for more.
—Library Media Connection

This riveting SF thriller is action-packed, with edge-of-your-seat chase scenes, a monstrous villain who just won’t die, and moments of both anguish and triumph…Emotionally intense…haunting page-turner.
—KLIATT

Perhaps the most impressive of the recent crop [of dystopian YA]
—New Yorker

A read-alone, stay-up-way-too-late book for older readers looking for the combination of being scared and being stirred to gallop to the end.
—Chicago Tribune

The powerful, gut-clenching cliffhanger will definitely leave you wanting more.
—Orlando Examiner online
Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy, as well as the Carnegie Medal–winning A Monster Calls, inspired by an idea from Siobhan Dowd. Among the numerous awards he has received are the Guardian Children’s Fiction Prize, the Booktrust Teenage Prize, and the Costa Children’s Book Award. Born in Virginia, he lives in London.
The first thing you find out when yer dog learns to talk is that dogs don’t got nothing much to say.
   About anything.
   “Need a poo, Todd.”
   “Shut up, Manchee.”
   “Poo. Poo, Todd.”
   “I said shut it.”
   We’re walking across the wild fields southeast of town, those ones that slope down to the river and head on ­toward the swamp. Ben’s sent me to pick him some swamp apples and he’s made me take Manchee with me, even tho we all know Cillian only bought him to stay on Mayor Prentiss’s good side and so suddenly here’s this brand-new dog as a present for my birthday last year when I never said I wanted any dog, that what I said I wanted was for Cillian to finally fix the fissionbike so I ­wouldn’t have to walk ­every forsaken place in this stupid town, but oh, no, happy birthday, Todd, here’s a brand-new puppy, Todd, and even tho you don’t want him, even tho you never asked for him, guess who has to feed him and train him and wash him and take him for walks and listen to him jabber now he’s got old enough for the talking germ to set his mouth moving? Guess who?
   “Poo,” Manchee barks quietly to himself. “Poo, poo, poo.”
   “Just have yer stupid poo and quit yapping about it.”
   I take a switch of grass from beside the trail and I swat after him with it. I don’t reach him, I don’t mean to reach him, but he just laughs his little barking laugh and carries on down the trail. I follow after him, switching the switch against the grass on either side, squinting from the sun, trying not to think about nothing at all.
   We don’t need apples from the swamp, truth be told. Ben can buy them at Mr. Phelps’s store if he ­really wants them. Also true: going to the swamp to pick a few apples is not a job for a man cuz men are never allowed to be so idle. Now, I won’t officially become a man for thirty more days. I’ve lived twelve years of thirteen long months each and another twelve months besides, all of which living means I’m still one month away from the big birthday. The plans are being planned, the preparayshuns prepared, it will be a party, I guess, tho I’m starting to get some strange pictures about it, all dark and too bright at the same time, but nevertheless I will become a man and picking apples in the swamp is not a job for a man or even an almost-man.
   But Ben knows he can ask me to go and he knows I’ll say yes to going because the swamp is the only place anywhere near Prentisstown where you can have half a break from all the Noise that men spill outta theirselves, all their clamor and clatter that never lets up, even when they sleep, men and the thoughts they don’t know they think even when ­everyone can hear. Men and their Noise. I don’t know how they do it, how they stand each other.
   Men are Noisy creachers.
   “Squirrel!” Manchee shouts and off he goes, jumping off the trail, no matter how loud I yell after him, and off I have to go, too, across the (I look round to make sure I’m alone) goddam fields cuz Cillian’ll have a fit if Manchee falls down some goddam snake hole and of course it’ll be my own goddam fault even tho I never wanted the goddam dog in the goddam first place.
   “Manchee! Get back here!”
  “Squirrel!”
   I have to kick my way thru the grass, getting grublets stuck to my shoes. One smashes as I kick it off, leaving a green smear across my sneakers, which I know from experience ain’t coming out. “Manchee!” I rage.
   “Squirrel! Squirrel! Squirrel!”
   He’s barking round the tree and the squirrel’s skittering back and forth on the tree trunk, taunting him. Come on, Whirler dog, says its Noise. Come on, come get, come on, come get. Whirler, Whirler, Whirler.
   “Squirrel, Todd! Squirrel!”
   Goddam, animals are stupid.
   I grab Manchee by the collar and hit him hard across his back leg. “Ow, Todd? Ow?” I hit him again. And again. “Ow? Todd?”
   “Come on,” I say, my own Noise raging so loud I can barely hear myself think, which is something I’m about to regret, you watch.
  Whirler boy, Whirler boy, thinks the squirrel at me. Come get, Whirler boy.
   “You can eff off, too,” I say, except I don’t say “eff,” I say what “eff” stands for.
   And I ­really, ­really shoulda looked round again.
   Cuz here’s Aaron, right here, rising outta the grass from nowhere, rising up and smacking me cross the face, scratching my lip with his big ring, then bringing his hand back the other way, closed as a fist, catching my cheekbone but at least missing my nose because I’m falling into the grass, trying to fall away from his punch, and I let go of Manchee’s collar and off he runs back to the squirrel, barking his head off, the traitor, and I hit the grass with my knees and my hands, getting grublet stains all over every­thing.
   And I stay there, on the ground, breathing.
   Aaron stands over me, his Noise coming at me in ­fragments of scripture and of his next sermon and Language, young Todd and the finding of a sacrifice and the saint chooses his path and God hears and the wash of pictures that’s in ­everyone’s Noise, of things familiar and glancing flashes of –
   What? What the forsaken –?
   But up flies a loud bit of his sermon to block it out and I look up into his eyes and suddenly I don’t wanna know. I can already taste the blood where his ring cut my lip and I don’t wanna know. He never comes out here, men never do, they have their reasons, men do, and it’s just me and my dog only ever but here he is and I don’t don’t don’t wanna know.
   He smiles down at me, thru that beard of his, smiles down at me in the grass.
   A smiling fist.
   “Language, young Todd,” he says, “binds us like prisoners on a chain. Haven’t you learned anything from yer church, boy?” And then he says his most familiar preaching. “If one of us falls, we all fall.”
  Yes, Aaron, I think.
   “With yer mouth, Todd.”
   “Yes, Aaron,” I say.
   “And the effs?” he says. “And the geedees? Because don’t think I ­didn’t hear them as well. Your Noise reveals you. Reveals us all.”
 Not all, I think, but at the same time I say, “Sorry, Aaron.”
   He leans down to me, his lips close to my face, and I can smell the breath that comes outta his mouth, smell the weight of it, like fingers grabbing for me. “God hears,” he whispers. “God hears.”
   And he raises a hand again and I flinch and he laughs and then he’s gone, like that, heading back ­toward the town, taking his Noise with him.

About

The riveting Chaos Walking trilogy by two-time Carnegie Medalist Patrick Ness, reissued with compelling new covers — and a bonus short story in each book.

“Narrated with crack dramatic and comic timing. . . . The cliffhanger ending is as effective as a shot to the gut.” — Booklist (starred review)


Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn't she killed by the germ like all the females on New World? Propelled by Todd's gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.

Awards

  • SELECTION
    ALA Best Books for Young Adults

Praise

Crack dramatic and comic timing… unforgettable… penetrating… The cliffhanger ending is as effective as a shot to the gut.
—Booklist (starred review)

The emotional, physical, and intellectual drama is well crafted and relentless...Tension [and] suspense…are palpable throughout, mitigated by occasional moments of welcome humor.
—School Library Journal

Todd’s world is a fascinating one, and the psychological and sociological impact of being unable to shut out others’ thoughts—or hide your own—is creatively explored … Todd’s colloquial voice is by turns defensive, belligerent, innocent, and desperate; the strength of his point of view and the subtle world-building contained in it make this series opener as promising as it is provocative.
—The Horn Book

Todd and Viola…are realistically portrayed as kids frequently overwhelmed and terrified by their circumstances…The nicely balanced mix of coming-of-age novel, science-fiction adventure, and dystopic thriller will make this an appealing choice for a range of genre readers…still unsolved mysteries, carefully developed by Ness and left at tantalizing moments of resolution, guarantee anticipation for the next two.
—Bulletin of the Center for Children's Books

Skillfully structured narrative creates an elegant mixture of action, dialogue, and dark, dsytopian pathos.
—VOYA

Gives us a glimpse of the depth of evil in our hearts…the ending of this book is absolutely chilling and leaves the reader begging for more.
—Library Media Connection

This riveting SF thriller is action-packed, with edge-of-your-seat chase scenes, a monstrous villain who just won’t die, and moments of both anguish and triumph…Emotionally intense…haunting page-turner.
—KLIATT

Perhaps the most impressive of the recent crop [of dystopian YA]
—New Yorker

A read-alone, stay-up-way-too-late book for older readers looking for the combination of being scared and being stirred to gallop to the end.
—Chicago Tribune

The powerful, gut-clenching cliffhanger will definitely leave you wanting more.
—Orlando Examiner online

Author

Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy, as well as the Carnegie Medal–winning A Monster Calls, inspired by an idea from Siobhan Dowd. Among the numerous awards he has received are the Guardian Children’s Fiction Prize, the Booktrust Teenage Prize, and the Costa Children’s Book Award. Born in Virginia, he lives in London.

Excerpt

The first thing you find out when yer dog learns to talk is that dogs don’t got nothing much to say.
   About anything.
   “Need a poo, Todd.”
   “Shut up, Manchee.”
   “Poo. Poo, Todd.”
   “I said shut it.”
   We’re walking across the wild fields southeast of town, those ones that slope down to the river and head on ­toward the swamp. Ben’s sent me to pick him some swamp apples and he’s made me take Manchee with me, even tho we all know Cillian only bought him to stay on Mayor Prentiss’s good side and so suddenly here’s this brand-new dog as a present for my birthday last year when I never said I wanted any dog, that what I said I wanted was for Cillian to finally fix the fissionbike so I ­wouldn’t have to walk ­every forsaken place in this stupid town, but oh, no, happy birthday, Todd, here’s a brand-new puppy, Todd, and even tho you don’t want him, even tho you never asked for him, guess who has to feed him and train him and wash him and take him for walks and listen to him jabber now he’s got old enough for the talking germ to set his mouth moving? Guess who?
   “Poo,” Manchee barks quietly to himself. “Poo, poo, poo.”
   “Just have yer stupid poo and quit yapping about it.”
   I take a switch of grass from beside the trail and I swat after him with it. I don’t reach him, I don’t mean to reach him, but he just laughs his little barking laugh and carries on down the trail. I follow after him, switching the switch against the grass on either side, squinting from the sun, trying not to think about nothing at all.
   We don’t need apples from the swamp, truth be told. Ben can buy them at Mr. Phelps’s store if he ­really wants them. Also true: going to the swamp to pick a few apples is not a job for a man cuz men are never allowed to be so idle. Now, I won’t officially become a man for thirty more days. I’ve lived twelve years of thirteen long months each and another twelve months besides, all of which living means I’m still one month away from the big birthday. The plans are being planned, the preparayshuns prepared, it will be a party, I guess, tho I’m starting to get some strange pictures about it, all dark and too bright at the same time, but nevertheless I will become a man and picking apples in the swamp is not a job for a man or even an almost-man.
   But Ben knows he can ask me to go and he knows I’ll say yes to going because the swamp is the only place anywhere near Prentisstown where you can have half a break from all the Noise that men spill outta theirselves, all their clamor and clatter that never lets up, even when they sleep, men and the thoughts they don’t know they think even when ­everyone can hear. Men and their Noise. I don’t know how they do it, how they stand each other.
   Men are Noisy creachers.
   “Squirrel!” Manchee shouts and off he goes, jumping off the trail, no matter how loud I yell after him, and off I have to go, too, across the (I look round to make sure I’m alone) goddam fields cuz Cillian’ll have a fit if Manchee falls down some goddam snake hole and of course it’ll be my own goddam fault even tho I never wanted the goddam dog in the goddam first place.
   “Manchee! Get back here!”
  “Squirrel!”
   I have to kick my way thru the grass, getting grublets stuck to my shoes. One smashes as I kick it off, leaving a green smear across my sneakers, which I know from experience ain’t coming out. “Manchee!” I rage.
   “Squirrel! Squirrel! Squirrel!”
   He’s barking round the tree and the squirrel’s skittering back and forth on the tree trunk, taunting him. Come on, Whirler dog, says its Noise. Come on, come get, come on, come get. Whirler, Whirler, Whirler.
   “Squirrel, Todd! Squirrel!”
   Goddam, animals are stupid.
   I grab Manchee by the collar and hit him hard across his back leg. “Ow, Todd? Ow?” I hit him again. And again. “Ow? Todd?”
   “Come on,” I say, my own Noise raging so loud I can barely hear myself think, which is something I’m about to regret, you watch.
  Whirler boy, Whirler boy, thinks the squirrel at me. Come get, Whirler boy.
   “You can eff off, too,” I say, except I don’t say “eff,” I say what “eff” stands for.
   And I ­really, ­really shoulda looked round again.
   Cuz here’s Aaron, right here, rising outta the grass from nowhere, rising up and smacking me cross the face, scratching my lip with his big ring, then bringing his hand back the other way, closed as a fist, catching my cheekbone but at least missing my nose because I’m falling into the grass, trying to fall away from his punch, and I let go of Manchee’s collar and off he runs back to the squirrel, barking his head off, the traitor, and I hit the grass with my knees and my hands, getting grublet stains all over every­thing.
   And I stay there, on the ground, breathing.
   Aaron stands over me, his Noise coming at me in ­fragments of scripture and of his next sermon and Language, young Todd and the finding of a sacrifice and the saint chooses his path and God hears and the wash of pictures that’s in ­everyone’s Noise, of things familiar and glancing flashes of –
   What? What the forsaken –?
   But up flies a loud bit of his sermon to block it out and I look up into his eyes and suddenly I don’t wanna know. I can already taste the blood where his ring cut my lip and I don’t wanna know. He never comes out here, men never do, they have their reasons, men do, and it’s just me and my dog only ever but here he is and I don’t don’t don’t wanna know.
   He smiles down at me, thru that beard of his, smiles down at me in the grass.
   A smiling fist.
   “Language, young Todd,” he says, “binds us like prisoners on a chain. Haven’t you learned anything from yer church, boy?” And then he says his most familiar preaching. “If one of us falls, we all fall.”
  Yes, Aaron, I think.
   “With yer mouth, Todd.”
   “Yes, Aaron,” I say.
   “And the effs?” he says. “And the geedees? Because don’t think I ­didn’t hear them as well. Your Noise reveals you. Reveals us all.”
 Not all, I think, but at the same time I say, “Sorry, Aaron.”
   He leans down to me, his lips close to my face, and I can smell the breath that comes outta his mouth, smell the weight of it, like fingers grabbing for me. “God hears,” he whispers. “God hears.”
   And he raises a hand again and I flinch and he laughs and then he’s gone, like that, heading back ­toward the town, taking his Noise with him.