Roy   Thomas joined the Marvel Bullpen as a writer and editor   under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first   10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist,   Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles,   proving instrumental in reviving the Golden Age Justice Society of America.   Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the   sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Gerry   Conway wrote Daredevil, Incredible Hulk, Iron Man   and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb   of Dracula and Werewolf   by Night. His years on Amazing   Spider-Man yielded such historic highlights as the   groundbreaking death of Gwen Stacy and the debut of the Punisher. He also   wrote DC’s Batman, Superman, Wonder   Woman and Legion of   Super-Heroes. For TV, he has written and produced   episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress   and Matlock.
After   co-creating DC’s Swamp Thing   in 1972, Len Wein moved   to Marvel for lengthy runs on some of the company’s biggest titles — Amazing Spider-Man, Fantastic Four, Incredible Hulk and Thor — and helped bring the landmark   Giant-Size X-Men #1 into the world, changing Marvel   forever. Returning to DC as an editor, Wein oversaw an influx of British   writing talent, highlighted by Alan Moore’s historic Watchmen miniseries. Wein also has   worked in television and animation, returning to his roots to develop a Swamp Thing screenplay. He has   written comic-book adaptations of The Simpsons and Futurama.
John   Buscema (1927-2002) literally wrote the book on being a   Marvel artist — namely, How To Draw Comics the   Marvel Way — and few were better qualified. His   career dated back to the Timely/Atlas era of the late ’40s and early ’50s.   Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema   from the advertising field to the Marvel Bullpen. Buscema followed a long run   on Avengers with the   long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time   of his retirement in 1996, Buscema had penciled nearly every Marvel title —   including his personal favorite, Conan the   Barbarian.
His   place in Marvel history assured when he helped introduce Deathlok in the   pages of Astonishing Tales, Rich Buckler also penciled several   storylines in Peter Parker, the Spectacular Spider-Man — along with runs on Jungle Action’s Black Panther, Fantastic Four, Thor   and others monthly titles, as well as Roy Thomas’s miniseries Saga of the Sub-Mariner and Saga of the Original Human Torch.   Buckler’s 1970s DC work includes Lois Lane, Secret Society of Super-Villains and World’s Finest, as well as the groundbreaking Superman   vs. Shazam. During the 1980s, he and Thomas   collaborated on All-Star Squadron. He worked in the barbarian and horror genres for both Marvel   and DC, illustrated Archie’s Mighty Crusaders, and contributed to black-and-white magazines for both Marvel   and Warren Publishing. He was editor of the short-lived Solson Publications   and wrote two books on comic-book art.
In   1976, Ross Andru (1927-1993)   made comic-book history by penciling the first large-scale intercompany   crossover, Superman vs. the Amazing Spider-Man, having spent years illustrating both characters in various   titles. He also made Marvel history in Marvel   Feature, drawing the Defenders’ first appearance.   At DC, he spent nine years collaborating with Bob Kanigher on Wonder Woman. With Marv Wolfman and   Mike Esposito, he co-created Vigilante (Adrian Chase).