Multiple   Eisner Award-winner Frank Miller broke into the comics business during the late 1970s, landing a choice   assignment on the series Daredevil. His work quickly made the title one of Marvel’s best-selling   series, as well as establishing Miller as a fan-favorite superstar. During   his tenure on Daredevil,   he introduced the assassin Elektra, who became a major Marvel character in   her own right. After completing his initial run, Miller returned to Daredevil as writer of the acclaimed   “Born Again” run with artist David Mazzucchelli; he then collaborated with   John Romita Jr. for the Daredevil: Man Without   Fear limited series. Miller has also had   monumental success with his work on other iconic characters. In 1986, he made   a splash at DC with the wildly popular and hugely influential Batman: The Dark Knight Returns,   which told the tale of an older Batman still fighting crime decades after his   prime. The following year, Miller reteamed with David Mazzucchelli for Batman: Year One, putting a modern   spin on Batman’s classic origin story. Miller writes All Star Batman & Robin with   artist Jim Lee, continuing to put his distinctive mark on the Dark Knight.   Miller has parlayed his talents as a comic-book creator to major success in   Hollywood. In 2005, Miller collaborated with Robert Rodriquez to co-direct Sin City, a film that was widely   praised by both fans and critics. Two years later, Miller’s 300 met with similar success,   breaking multiple box-office records. Miller wrote and directed The Spirit, based on Will Eisner’s   classic hero.
After   over three decades of writing and drawing the Johnny   Hazard comic strip, which he created in 1944, Frank Robbins (1917-1994) co-created   Invaders with Roy   Thomas, marking Marvel’s first major revival of Golden Age super heroes. His   distinctive art style subsequently graced Captain   America, Ghost Rider, and the licensed properties Human   Fly and Man from   Atlantis. Following a stint as writer on DC   Comics’ Superman’s Girl Friend Lois Lane, he collaborated with artists Neal Adams and Irv Novick on   runs of  Batman and Detective Comics, respectively; his work is credited as instrumental in   returning the Darknight Detective to his gothic/noir roots.
The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens   of other Marvel titles he has drawn. His DC work on Detective   Comics and Night Force is equally well remembered. During the Golden Age, he drew   multiple war stories for Marvel and DC alike. Colan has earned several Eagle   Awards and had professional art showings in New York City. His work on Ed   Brubaker’s Captain America at the age of 82 drew well-deserved raves.
Steve   Ditko (1927-2018) began his comics career in the   anthologies of the 1950s, where his unique style and perspective quickly   earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics,   later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast.   In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing   Spider-Man, changing the industry forever. The pair’s other iconic   co-creation, Doctor Strange, debuted in Strange   Tales. Ditko returned to Marvel during the late   1970s and remained for much of the 1980s — co-creating Speedball, Squirrel   Girl and other characters.