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An Onion in My Pocket

My Life with Vegetables

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Paperback
$17.00 US
5.13"W x 7.99"H x 0.67"D   | 8 oz | 24 per carton
On sale Aug 17, 2021 | 320 Pages | 978-0-525-56564-2
As a groundbreaking chef and beloved cookbook author, Deborah Madison—“The Queen of Greens” (The Washington Post)—has profoundly changed the way generations of Americans think about cooking with vegetables, helping to transform “vegetarian” from a dirty word into a mainstream way of eating. But before she became a household name, Madison spent almost twenty years at the Zen Center in the midst of counterculture San Francisco. In this warm, candid, and refreshingly funny memoir, she tells the story of her life in food—and with it, the story of the vegetarian movement—for the very first time. From her childhood in Northern California’s Big Ag heartland to sitting sesshin for hours on end at the Tassajara monastery; from her work in the kitchen of the then-new Chez Panisse to the birth of food TV to the age of farmers’ markets everywhere,  An Onion in My Pocket is a deeply personal look at the rise of vegetable-forward cooking and a manifesto for how to eat (and live) well today.
“More than a memoir, this is a history of America’s culinary coming-of-age.” —San Francisco Chronicle

“The intersections of food and spirituality are under-explored topics in American literature. Nourishment can be about more than an inventive recipe or a dazzling meal. Madison’s reflections remind us of larger, slipperier kinds of hunger that call to be satisfied.” —Los Angeles Times

“A true delight . . . [Madison] uncovers her love for all real foods, peeling off layer by layer like an onion, recounting her own personal, culinary, and gardening experiences and adventures with family and friends.” —Lidia Bastianich
 
“Thoughtful and thought-provoking. . . . A firsthand look at America’s farm-to-table ‘food revolution.’” —The Seattle Times

“Full of surprises. . . . Above all, [Madison] doesn’t believe in imposing beliefs on others. . . . A lesson learned from the monastery . . . and one of many in this insightful memoir.” —The Wall Street Journal
 
"I felt like Deborah Madison was breaking a trail for me when I came to the San Francisco Zen Center in 1974, and she continues to this day. Her food is tantalizing and nourishing, and her
prose is breezy, lucid, and as beautiful as her presentations on the plate.” —Peter Coyote, Zen priest, actor, and author of Sleeping Where I Fall and The Rainman’s Third Cure
 
“Captivating. . . . Refreshingly undogmatic.” —Jessica Zack, San Francisco Chronicle
 
“A welcome read from a master food writer who has . . . changed the way we think, shop, eat and cook.” —The Independent
 
“I dare you to cut into any part of this edible memoir and not eat the whole thing in one ravenous gulp.” —Betty Fussell, writer, food historian, and author of Eat, Live, Love, Die: Selected Essays

“Offering food is a gesture of kindness and one of sharing. Making a meal with thought and care, whether to share it with others or it’s just for yourself, is a big part of what An Onion in My Pocket is about.” —The Santa Fe New Mexican
 
“[An] honest, beguiling memoir. . . . A layered, intimate look at Zen life, the making of a soulful, artful chef and the genesis and growth of a writer. It’s also an ode to nourishment, sustenance and gratitude for the earth’s bounty, vegetal and otherwise.” —BookPage
 
“Mouthwatering. . . . Once upon a time, the word ‘vegetarian’ exclusively conjured up images of bland tofu and boiled veggies—then chef Deborah Madison came along and all of that changed.” —Shape Magazine
 
“[Madison’s] delicious memoir is a story about flavor, sustenance, and nurturing at their purest.” —Elissa Altman, author of Motherland and Poor Man’s Feast
 
“The stories spill over with intimate recollections about growing, choosing, cooking, eating, and sharing the goodness and freshness of seasonal and heritage varieties of vegetables.” —The Albuquerque Journal

“A riveting account of how Deborah Madison’s previous twenty-year incarnation as a serious student of Zen Buddhism prepared her to become the consummate vegetarian cook and cookbook writer.” —Marion Nestle, Professor of Nutrition, Food Studies, and Public Health, Emerita, New York University, and author of Food Politics
© Doug Merriam
Deborah Madison is the award-winning author of fourteen cookbooks, including The New Vegetarian Cooking for Everyone and Vegetable Literacy. Her books have received four James Beard Foundation Book Awards and five awards from the IACP; she was inducted into the James Beard Foundation Cookbook Hall of Fame in 2016 and the Who’s Who of Food and Beverage in 2005. She lives in New Mexico. www.deborahmadison.com View titles by Deborah Madison
Introduction
 
Onions, Snakes, and What Matters
 
If there are not onions in my pockets or my purse, maybe there are shallots, or some amaranth leaves, or seeds collected from the garden, or something else food related. Once there was a four-foot-long gopher snake in my purse—safekeeping for the walk home. These snakes do lower the numbers of those garden pests. But there was a day when there actually was an onion in my pocket because I had been cooking with my pal Dan, and I had brought the onions that we needed for a pizza. There was one left over. In Spanish class I pulled out the extra onion and put it on the desk so I could find my notes and pens—also crammed into my pockets that day. People started to laugh. To me it was utterly normal.
 
That’s partially what it means to be a food person—that it is normal to find an onion in your pocket. Or that you fly home with quarts of fragrant berries on your lap, or you stuff a bag of superlong stalks of late-summer rhubarb into the overhead. It’s likely that when a friend visits you in your new desert home she arrives with egg cartons in her suitcase—a ripe fig nestled into each little depression—or that another friend arrives with an extra suitcase filled with quince. Food swirls around us. We reach out for some of it; other times we toss something good into the swirl for others to enjoy. It’s the forever potlatch of gift and exchange.
 
I didn’t always know I’d be so involved with food and I’ve long tried to piece together when it first happened, when food became something good and compelling. I think it was when I was sixteen. My parents had gone to Europe for a sabbatical and farmed each of their four kids out to another family. I got to live with a couple who did not have children, who had lived many times in France, who loved food and knew how to cook. Living with them I discovered that food could be good every night of the week. Given my parents’ uneven temperaments and my mother’s frugality I had no idea that this could be so. But it was and it was miraculous. Cheese soufflés, chicken poached in wine with mushrooms and cream, salads from the garden—it was all so delicious and it was all new to me. When my parents returned from their trip, they remarked on my new round face, evidence that butter and cream, predinner gin and tonics, and the much better wines we drank—the plenty of very good food and drink, in short—had had an effect. When people ask me when I became interested in food, I tell them it was when I discovered that food could taste good. Every night of the week. These meals did change my life.
 
The man in my temporary household was, like my father, a botanist; only his specialty was alliums, not grass. Like all botanists and food people I have known, his eyes were open to all kinds of possibilities, especially culinary ones. Over a long weekend we took a trip to Mount Lassen. Once there and settled into our motel, we set out on a hike with the intention of spending the day on the trail. Shortly into our walk, I noticed some funny-looking things poking out of the ground. I asked what they were and the botanist and his wife both responded with ecstatic shouts: “Morels! They’re morels!” We immediately filled our hats with them, abandoned the walk, and drove into town in search of butter and cream.
 
We simmered the morels in cream and piled them on buttered toast for lunch. They were magnificent and they taught me my first food rule: Break your plans in the face of something wonderful and utterly unexpected, like morels. Let them take over and push you here and there as they will. You will at least come away with a memory. This event is decades old, but it remains a vivid memory.
 
 
Despite this introduction to the pleasures of the table and my excitement about food tasting good, I didn’t act right away. The thought “I want to be a chef ” never occurred to me. Instead, I finished high school, went to college, dropped out, got back in, changed universities, graduated, got a job, went to Japan, then became a practicing, even ordained, Buddhist for about twenty
years. It wasn’t until I became a Zen student that I became interested in cooking and started to cook in earnest. It’s supposed to be so austere, that Zen life, but people still have to eat and someone has to cook. That person became me in 1970.
 
I’ve cooked for a long time: in the San Francisco Zen Center; at our monastery at Tassajara; at our farm, Green Gulch; at Alice Waters’s restaurant in Berkeley, Chez Panisse; at Greens, the vegetarian restaurant I opened in San Francisco; at the American Academy in Rome; at Café Escalera in Santa Fe; and at home—when I finally got one. (I lived in community until I was forty.) At some point I decided to look back to find out what matters when it comes to food, and that’s what this book is about.

About

As a groundbreaking chef and beloved cookbook author, Deborah Madison—“The Queen of Greens” (The Washington Post)—has profoundly changed the way generations of Americans think about cooking with vegetables, helping to transform “vegetarian” from a dirty word into a mainstream way of eating. But before she became a household name, Madison spent almost twenty years at the Zen Center in the midst of counterculture San Francisco. In this warm, candid, and refreshingly funny memoir, she tells the story of her life in food—and with it, the story of the vegetarian movement—for the very first time. From her childhood in Northern California’s Big Ag heartland to sitting sesshin for hours on end at the Tassajara monastery; from her work in the kitchen of the then-new Chez Panisse to the birth of food TV to the age of farmers’ markets everywhere,  An Onion in My Pocket is a deeply personal look at the rise of vegetable-forward cooking and a manifesto for how to eat (and live) well today.

Praise

“More than a memoir, this is a history of America’s culinary coming-of-age.” —San Francisco Chronicle

“The intersections of food and spirituality are under-explored topics in American literature. Nourishment can be about more than an inventive recipe or a dazzling meal. Madison’s reflections remind us of larger, slipperier kinds of hunger that call to be satisfied.” —Los Angeles Times

“A true delight . . . [Madison] uncovers her love for all real foods, peeling off layer by layer like an onion, recounting her own personal, culinary, and gardening experiences and adventures with family and friends.” —Lidia Bastianich
 
“Thoughtful and thought-provoking. . . . A firsthand look at America’s farm-to-table ‘food revolution.’” —The Seattle Times

“Full of surprises. . . . Above all, [Madison] doesn’t believe in imposing beliefs on others. . . . A lesson learned from the monastery . . . and one of many in this insightful memoir.” —The Wall Street Journal
 
"I felt like Deborah Madison was breaking a trail for me when I came to the San Francisco Zen Center in 1974, and she continues to this day. Her food is tantalizing and nourishing, and her
prose is breezy, lucid, and as beautiful as her presentations on the plate.” —Peter Coyote, Zen priest, actor, and author of Sleeping Where I Fall and The Rainman’s Third Cure
 
“Captivating. . . . Refreshingly undogmatic.” —Jessica Zack, San Francisco Chronicle
 
“A welcome read from a master food writer who has . . . changed the way we think, shop, eat and cook.” —The Independent
 
“I dare you to cut into any part of this edible memoir and not eat the whole thing in one ravenous gulp.” —Betty Fussell, writer, food historian, and author of Eat, Live, Love, Die: Selected Essays

“Offering food is a gesture of kindness and one of sharing. Making a meal with thought and care, whether to share it with others or it’s just for yourself, is a big part of what An Onion in My Pocket is about.” —The Santa Fe New Mexican
 
“[An] honest, beguiling memoir. . . . A layered, intimate look at Zen life, the making of a soulful, artful chef and the genesis and growth of a writer. It’s also an ode to nourishment, sustenance and gratitude for the earth’s bounty, vegetal and otherwise.” —BookPage
 
“Mouthwatering. . . . Once upon a time, the word ‘vegetarian’ exclusively conjured up images of bland tofu and boiled veggies—then chef Deborah Madison came along and all of that changed.” —Shape Magazine
 
“[Madison’s] delicious memoir is a story about flavor, sustenance, and nurturing at their purest.” —Elissa Altman, author of Motherland and Poor Man’s Feast
 
“The stories spill over with intimate recollections about growing, choosing, cooking, eating, and sharing the goodness and freshness of seasonal and heritage varieties of vegetables.” —The Albuquerque Journal

“A riveting account of how Deborah Madison’s previous twenty-year incarnation as a serious student of Zen Buddhism prepared her to become the consummate vegetarian cook and cookbook writer.” —Marion Nestle, Professor of Nutrition, Food Studies, and Public Health, Emerita, New York University, and author of Food Politics

Author

© Doug Merriam
Deborah Madison is the award-winning author of fourteen cookbooks, including The New Vegetarian Cooking for Everyone and Vegetable Literacy. Her books have received four James Beard Foundation Book Awards and five awards from the IACP; she was inducted into the James Beard Foundation Cookbook Hall of Fame in 2016 and the Who’s Who of Food and Beverage in 2005. She lives in New Mexico. www.deborahmadison.com View titles by Deborah Madison

Excerpt

Introduction
 
Onions, Snakes, and What Matters
 
If there are not onions in my pockets or my purse, maybe there are shallots, or some amaranth leaves, or seeds collected from the garden, or something else food related. Once there was a four-foot-long gopher snake in my purse—safekeeping for the walk home. These snakes do lower the numbers of those garden pests. But there was a day when there actually was an onion in my pocket because I had been cooking with my pal Dan, and I had brought the onions that we needed for a pizza. There was one left over. In Spanish class I pulled out the extra onion and put it on the desk so I could find my notes and pens—also crammed into my pockets that day. People started to laugh. To me it was utterly normal.
 
That’s partially what it means to be a food person—that it is normal to find an onion in your pocket. Or that you fly home with quarts of fragrant berries on your lap, or you stuff a bag of superlong stalks of late-summer rhubarb into the overhead. It’s likely that when a friend visits you in your new desert home she arrives with egg cartons in her suitcase—a ripe fig nestled into each little depression—or that another friend arrives with an extra suitcase filled with quince. Food swirls around us. We reach out for some of it; other times we toss something good into the swirl for others to enjoy. It’s the forever potlatch of gift and exchange.
 
I didn’t always know I’d be so involved with food and I’ve long tried to piece together when it first happened, when food became something good and compelling. I think it was when I was sixteen. My parents had gone to Europe for a sabbatical and farmed each of their four kids out to another family. I got to live with a couple who did not have children, who had lived many times in France, who loved food and knew how to cook. Living with them I discovered that food could be good every night of the week. Given my parents’ uneven temperaments and my mother’s frugality I had no idea that this could be so. But it was and it was miraculous. Cheese soufflés, chicken poached in wine with mushrooms and cream, salads from the garden—it was all so delicious and it was all new to me. When my parents returned from their trip, they remarked on my new round face, evidence that butter and cream, predinner gin and tonics, and the much better wines we drank—the plenty of very good food and drink, in short—had had an effect. When people ask me when I became interested in food, I tell them it was when I discovered that food could taste good. Every night of the week. These meals did change my life.
 
The man in my temporary household was, like my father, a botanist; only his specialty was alliums, not grass. Like all botanists and food people I have known, his eyes were open to all kinds of possibilities, especially culinary ones. Over a long weekend we took a trip to Mount Lassen. Once there and settled into our motel, we set out on a hike with the intention of spending the day on the trail. Shortly into our walk, I noticed some funny-looking things poking out of the ground. I asked what they were and the botanist and his wife both responded with ecstatic shouts: “Morels! They’re morels!” We immediately filled our hats with them, abandoned the walk, and drove into town in search of butter and cream.
 
We simmered the morels in cream and piled them on buttered toast for lunch. They were magnificent and they taught me my first food rule: Break your plans in the face of something wonderful and utterly unexpected, like morels. Let them take over and push you here and there as they will. You will at least come away with a memory. This event is decades old, but it remains a vivid memory.
 
 
Despite this introduction to the pleasures of the table and my excitement about food tasting good, I didn’t act right away. The thought “I want to be a chef ” never occurred to me. Instead, I finished high school, went to college, dropped out, got back in, changed universities, graduated, got a job, went to Japan, then became a practicing, even ordained, Buddhist for about twenty
years. It wasn’t until I became a Zen student that I became interested in cooking and started to cook in earnest. It’s supposed to be so austere, that Zen life, but people still have to eat and someone has to cook. That person became me in 1970.
 
I’ve cooked for a long time: in the San Francisco Zen Center; at our monastery at Tassajara; at our farm, Green Gulch; at Alice Waters’s restaurant in Berkeley, Chez Panisse; at Greens, the vegetarian restaurant I opened in San Francisco; at the American Academy in Rome; at Café Escalera in Santa Fe; and at home—when I finally got one. (I lived in community until I was forty.) At some point I decided to look back to find out what matters when it comes to food, and that’s what this book is about.