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Danny the Champion of the World

Author Roald Dahl
Illustrated by Quentin Blake
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Paperback
$8.99 US
5.13"W x 7.69"H x 0.65"D   | 6 oz | 60 per carton
On sale Aug 16, 2007 | 240 Pages | 9780142410332
Age 8-12 years | Grades 3-7
Reading Level: Lexile 770L | Fountas & Pinnell T
From the bestselling author of Charlie and the Chocolate Factory and The BFG

Danny has a life any boy would love—his home is a gypsy caravan, he's the youngest master car mechanic around, and his best friend is his dad, who never runs out of wonderful stories to tell. But one night Danny discovers a shocking secret that his father has kept hidden for years. Soon Danny finds himself the mastermind behind the most incredible plot ever attempted against nasty Victor Hazell, a wealthy landowner with a bad attitude. Can they pull it off? If so, Danny will truly be the champion of the world.
Roald Dahl (1916–1990) was born in Llandaff, South Wales, and went to Repton School in England. His parents were Norwegian, so holidays were spent in Norway. As he explains in Boy, he turned down the idea of university in favor of a job that would take him to "a wonderful faraway place." In 1933 he joined the Shell Company, which sent him to Mombasa in East Africa. When World War II began in 1939, he became a fighter pilot and in 1942 was made assistant air attaché in Washington, where he started to write short stories. His first major success as a writer for children was in 1964. Thereafter his children's books brought him increasing popularity, and when he died, children mourned the world over, particularly in Britain where he had lived for many years. View titles by Roald Dahl
Quentin Blake's first book, Patrick, was published in 1968 and was followed by classics such as Mister Magnolia, All Join In, and Clown. He is best known for illustrating Roald Dahl’s books. A patron of the Association of Illustrators, he was awarded the Kate Greenaway Medal in 1980 and the international Hans Christian Andersen Award in 2002, and was the inaugural British Children’s Laureate from 1999 to 2001. View titles by Quentin Blake
The Filling Station

WHEN I was four months old, my mother died suddenly and my father was left to look after me all by himself. This is how I looked at the time.

I had no brothers or sisters.

So all through my boyhood, from the age of four months onward, there was just us two, my father and me.

We lived in an old gypsy caravan behind a filling station. My father owned the filling station and the caravan and a small meadow behind, but that was about all he owned in the world. It was a very small filling station on a small country road surrounded by fields and woody hills.

While I was still a baby, my father washed me and fed me and changed my diapers and did all the millions of other things a mother normally does for her child. That is not an easy task for a man, especially when he has to earn his living at the same time by repairing automobile engines and serving customers with gasoline.

But my father didn't seem to mind. I think that all the love he had felt for my mother when she was alive he now lavished upon me. During my early years, I never had a moment's unhappiness or illness, and here I am on my fifth birthday.

I was now a scruffy little boy as you can see, with grease and oil all over me, but that was because I spent all day in the workshop helping my father with the automobiles.

The filling station itself had only two pumps. There was a wooden shed behind the pumps that served as an office. There was nothing in the office except an old table and a cash register to put the money into. It was one of those where you pressed a button and a bell rang and the drawer shot out with a terrific bang. I used to love that.

The square brick building to the right of the office was the workshop. My father built that himself with loving care, and it was the only really solid thing on the place. "We are engineers, you and I," he used to say to me. "We earn our living by repairing engines and we can't do good work in a rotten workshop." It was a fine workshop, big enough to take one automobile comfortably and leave plenty of room around the sides for working. It had a telephone so that customers could ring up and arrange to bring their cars in for repair.

The caravan was our house and our home. It was a real old gypsy wagon with big wheels and fine patterns painted all over it in yellow and red and blue. My father said it was at least one hundred and fifty years old. Many gypsy children, he said, had been born in it and had grown up within its wooden walls. With a horse to pull it, the old caravan must have wandered for thousands of miles along the roads and lanes of England. But now its wanderings were over, and because the wooden spokes in the wheels were beginning to rot, my father had propped it up underneath with bricks.

There was only one room in the caravan, and it wasn't much bigger than a fair-sized modern bathroom. It was a narrow room, the shape of the caravan itself, and against the back wall were two bunk beds, one above the other. The top one was my father's, the bottom one mine.

Although we had electric lights in the workshop, we were not allowed to have them in the caravan. The electricity people said it was unsafe to put wires into something as old and rickety as that. So we got our heat and light in much the same way as the gypsies had done years ago. There was a wood-burning stove with a chimney that went up through the roof, and this kept us warm in winter. There was a kerosene burner on which to boil a kettle or cook a stew, and there was a kerosene lamp hanging from the ceiling.

When I needed a bath, my father would heat a kettle of water and pour it into a basin. Then he would strip me naked and scrub me all over, standing up. This, I think, got me just as clean as if I were washed in a bathtub probably cleaner because I didn't finish up sitting in my own dirty water.

For furniture, we had two chairs and a small table, and those, apart from a tiny chest of drawers, were all the home comforts we possessed. They were all we needed.

The lavatory was a funny little wooden hut standing in the meadow way back of the caravan. It was fine in summertime, but I can tell you that sitting out there on a snowy day in winter was like sitting in an icebox.

Immediately behind the caravan was an old apple tree. It bore fine apples that ripened in the middle of September. You could go on picking them for the next four or

five weeks. Some of the boughs of the tree hung right over the caravan and when the wind blew the apples down in the night, they often landed on our roof. I would hear them going thump... thump... thump... above my head as I lay in my bunk, but those noises never frightened me because I knew exactly what was making them.

I really loved living in that gypsy caravan. I loved it especially in the evenings when I was tucked up in my

bunk and my father was telling me stories. The kerosene lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove, and wonderful it was to

be lying there snug and warm in my bunk in that little room. Most wonderful of all was the feeling that when I went to sleep, my father would still be there, very close to

me, sitting in his chair by the fire, or lying in the bunk above my own.

About

From the bestselling author of Charlie and the Chocolate Factory and The BFG

Danny has a life any boy would love—his home is a gypsy caravan, he's the youngest master car mechanic around, and his best friend is his dad, who never runs out of wonderful stories to tell. But one night Danny discovers a shocking secret that his father has kept hidden for years. Soon Danny finds himself the mastermind behind the most incredible plot ever attempted against nasty Victor Hazell, a wealthy landowner with a bad attitude. Can they pull it off? If so, Danny will truly be the champion of the world.

Author

Roald Dahl (1916–1990) was born in Llandaff, South Wales, and went to Repton School in England. His parents were Norwegian, so holidays were spent in Norway. As he explains in Boy, he turned down the idea of university in favor of a job that would take him to "a wonderful faraway place." In 1933 he joined the Shell Company, which sent him to Mombasa in East Africa. When World War II began in 1939, he became a fighter pilot and in 1942 was made assistant air attaché in Washington, where he started to write short stories. His first major success as a writer for children was in 1964. Thereafter his children's books brought him increasing popularity, and when he died, children mourned the world over, particularly in Britain where he had lived for many years. View titles by Roald Dahl
Quentin Blake's first book, Patrick, was published in 1968 and was followed by classics such as Mister Magnolia, All Join In, and Clown. He is best known for illustrating Roald Dahl’s books. A patron of the Association of Illustrators, he was awarded the Kate Greenaway Medal in 1980 and the international Hans Christian Andersen Award in 2002, and was the inaugural British Children’s Laureate from 1999 to 2001. View titles by Quentin Blake

Excerpt

The Filling Station

WHEN I was four months old, my mother died suddenly and my father was left to look after me all by himself. This is how I looked at the time.

I had no brothers or sisters.

So all through my boyhood, from the age of four months onward, there was just us two, my father and me.

We lived in an old gypsy caravan behind a filling station. My father owned the filling station and the caravan and a small meadow behind, but that was about all he owned in the world. It was a very small filling station on a small country road surrounded by fields and woody hills.

While I was still a baby, my father washed me and fed me and changed my diapers and did all the millions of other things a mother normally does for her child. That is not an easy task for a man, especially when he has to earn his living at the same time by repairing automobile engines and serving customers with gasoline.

But my father didn't seem to mind. I think that all the love he had felt for my mother when she was alive he now lavished upon me. During my early years, I never had a moment's unhappiness or illness, and here I am on my fifth birthday.

I was now a scruffy little boy as you can see, with grease and oil all over me, but that was because I spent all day in the workshop helping my father with the automobiles.

The filling station itself had only two pumps. There was a wooden shed behind the pumps that served as an office. There was nothing in the office except an old table and a cash register to put the money into. It was one of those where you pressed a button and a bell rang and the drawer shot out with a terrific bang. I used to love that.

The square brick building to the right of the office was the workshop. My father built that himself with loving care, and it was the only really solid thing on the place. "We are engineers, you and I," he used to say to me. "We earn our living by repairing engines and we can't do good work in a rotten workshop." It was a fine workshop, big enough to take one automobile comfortably and leave plenty of room around the sides for working. It had a telephone so that customers could ring up and arrange to bring their cars in for repair.

The caravan was our house and our home. It was a real old gypsy wagon with big wheels and fine patterns painted all over it in yellow and red and blue. My father said it was at least one hundred and fifty years old. Many gypsy children, he said, had been born in it and had grown up within its wooden walls. With a horse to pull it, the old caravan must have wandered for thousands of miles along the roads and lanes of England. But now its wanderings were over, and because the wooden spokes in the wheels were beginning to rot, my father had propped it up underneath with bricks.

There was only one room in the caravan, and it wasn't much bigger than a fair-sized modern bathroom. It was a narrow room, the shape of the caravan itself, and against the back wall were two bunk beds, one above the other. The top one was my father's, the bottom one mine.

Although we had electric lights in the workshop, we were not allowed to have them in the caravan. The electricity people said it was unsafe to put wires into something as old and rickety as that. So we got our heat and light in much the same way as the gypsies had done years ago. There was a wood-burning stove with a chimney that went up through the roof, and this kept us warm in winter. There was a kerosene burner on which to boil a kettle or cook a stew, and there was a kerosene lamp hanging from the ceiling.

When I needed a bath, my father would heat a kettle of water and pour it into a basin. Then he would strip me naked and scrub me all over, standing up. This, I think, got me just as clean as if I were washed in a bathtub probably cleaner because I didn't finish up sitting in my own dirty water.

For furniture, we had two chairs and a small table, and those, apart from a tiny chest of drawers, were all the home comforts we possessed. They were all we needed.

The lavatory was a funny little wooden hut standing in the meadow way back of the caravan. It was fine in summertime, but I can tell you that sitting out there on a snowy day in winter was like sitting in an icebox.

Immediately behind the caravan was an old apple tree. It bore fine apples that ripened in the middle of September. You could go on picking them for the next four or

five weeks. Some of the boughs of the tree hung right over the caravan and when the wind blew the apples down in the night, they often landed on our roof. I would hear them going thump... thump... thump... above my head as I lay in my bunk, but those noises never frightened me because I knew exactly what was making them.

I really loved living in that gypsy caravan. I loved it especially in the evenings when I was tucked up in my

bunk and my father was telling me stories. The kerosene lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove, and wonderful it was to

be lying there snug and warm in my bunk in that little room. Most wonderful of all was the feeling that when I went to sleep, my father would still be there, very close to

me, sitting in his chair by the fire, or lying in the bunk above my own.

JAMES AND THE GIANT PEACH, WITH TAIKA AND FRIENDS

Roald Dahl teams up with Academy Award-Winning Filmmaker Taika Waititi to present “James And The Giant Peach, With Taika And Friends”! This fundraising story-telling series will be told in 10 installments and will be released on the Roald Dahl YouTube channel every Monday, Wednesday and Friday at 1pm EST / 10 am PST.  

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