From one of the most influential voices in disability activism comes an essay collection that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a vibrant part of life.
In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to ask: How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory,” became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others. How to Tell When We Will Die expands upon Hedva’s paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal—from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America’s byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness—relying on and fueling ableism—to the detriment of us all. With the insight of Anne Boyer’s The Undying and Leslie Jamison’s The Empathy Exams, and the wit of Samantha Irby, Hedva’s debut collection upends our collective concept of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.
Johanna Hedva (they/them) is a Korean American writer, artist, and musician, who was raised in Los Angeles by a family of witches, and now lives in LA and Berlin. Their first novel On Hell was named one of Dennis Cooper’s favorites of 2018, with their second novel Your Love Is Not Good released in 2023, and their writing has been published in Triple Canopy, frieze, and The White Review. Their artwork has been shown at the Institute of Contemporary Arts, London; Performance Space New York; the Museum of Architecture and Design, Los Angeles; and the Museum of Contemporary Art on the Moon. In 2019, they released the album The Sun and the Moon, and in 2020 they released Minerva the Miscarriage of the Brain, a collection of poetry, plays, and essays published by Sming Sming and Wolfman Books.
From one of the most influential voices in disability activism comes an essay collection that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a vibrant part of life.
In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to ask: How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory,” became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others. How to Tell When We Will Die expands upon Hedva’s paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal—from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America’s byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness—relying on and fueling ableism—to the detriment of us all. With the insight of Anne Boyer’s The Undying and Leslie Jamison’s The Empathy Exams, and the wit of Samantha Irby, Hedva’s debut collection upends our collective concept of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.
Author
Johanna Hedva (they/them) is a Korean American writer, artist, and musician, who was raised in Los Angeles by a family of witches, and now lives in LA and Berlin. Their first novel On Hell was named one of Dennis Cooper’s favorites of 2018, with their second novel Your Love Is Not Good released in 2023, and their writing has been published in Triple Canopy, frieze, and The White Review. Their artwork has been shown at the Institute of Contemporary Arts, London; Performance Space New York; the Museum of Architecture and Design, Los Angeles; and the Museum of Contemporary Art on the Moon. In 2019, they released the album The Sun and the Moon, and in 2020 they released Minerva the Miscarriage of the Brain, a collection of poetry, plays, and essays published by Sming Sming and Wolfman Books.
