A Place to Dance

♦ Evocative language, such as “skip, spin, twirl, prance, and strut” brings this ­story of a young dancer to life. Joy can become a form of resistance, as shown in this biography. From childhood, Richard ­Lamberty recognizes dance as an authentic expression of self, even when adults attempt to ­temper or redirect that impulse. The narrative ­follows how that early certainty evolves into advocacy, culminating in his founding of April Follies to legitimize and expand opportunities for same-sex ballroom competition. What begins as personal passion becomes public work. Dance is presented as both disciplined craft and cultural ­intervention, challenging restrictive norms and widening the circle of belonging. Chen’s digital illustrations heighten this sense of ­movement and ­intention. Sweeping lines carry the eye across each spread, capturing lift, extension, and precision, allowing readers to feel the movement of dance through the ­illustrations. Saturated jewel tones and warm golds evoke stage light and celebration without veering into excess. The characterization feels contemporary and accessible while maintaining elegance. ­VERDICT An uplifting and thoughtfully rendered ­portrait that affirms how artistic conviction can reshape tradition and expand possibilities for ­inclusion; a necessary purchase.
—School Library Journal, starred review