Close Modal

Marriage of a Thousand Lies

Author SJ Sindu
Paperback
$16.00 US
5.5"W x 8.22"H x 0.79"D   | 11 oz | 40 per carton
On sale Jul 10, 2018 | 302 Pages | 978-1-61695-947-0
“What a gorgeous, heartbreaking novel.”—Roxane Gay

A necessary and exciting addition to both the Sri Lankan-American and LGBTQ canons, SJ Sindu's debut novel offers a moving and sharply rendered​ exploration of friendship, family, love, and loss. 


Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.

As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.
Winner of the ​Publishing Triangle Edmund White Debut Fiction Award
An ALA Stonewall Honor Book
Finalist for the Lambda Literary Award
Independent Publisher Book Awards
Silver Medalist for LGBT+ Fiction
Longlisted for the DSC Prize for South Asian Literature

Praise for Marriage of a Thousand Lies

“What a gorgeous, heartbreaking novel . . . How Lucky tries to free herself from a life of lies is an incredibly compelling tale.”
—Roxane Gay

A remarkable novel rich with interlocking issues both timeless and timely. SJ Sindu’s debut is more than impressive; it’s important.”
—Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain

“I love Lucky, the unforgettable narrator of Marriage of a Thousand Lies. She has taken a place among my favorite misfits in literature, a young woman longing for love and tradition and celebration and family even as she defies expectations and navigates her own paths. I’m especially captivated by the novel’s honesty and tenderness—SJ Sindu is an intuitive writer with great insights into the complications of love and friendship.”
—Timothy Schaffert, author of The Swan Gondola

“SJ Sindu has written an important novel about Sri Lankan immigrant culture. Here, the intersections of migration, sexuality and culture are explored in loving and heartbreaking detail. A book that reveals the secrets of a community caught between East and West.”
—Nayomi Munaweera, author of Island of a Thousand Mirrors

“E​ntertaining​.”
​​ —The Toronto Star​


“Enthralling . . . Sindu is a skilled writer, and this is a remarkable first novel.”
Los Angeles Review of Books ​ 

“Sindu’s heart-wrenching debut novel . . . incorporates love, loss, family, rebirth and growth to tell a captivating story you won’t be able to put down.”
Ms. Magazine

Marriage of a Thousand Lies is a rare book, written from a queer, South Asian perspective, but a welcome addition to an all-too-small canon.​”
—Houston Press​

“[Sindu] ​has written a debut novel that is honest and moving—a complex story about a Sri-Lankan family and a strong female protagonist who struggles with her own identity against a backdrop of deep traditions and community.”
Tallahassee Democrat​

​“Dazzling.”
—Bay Area Reporter

“Sindu handles the complexities of identity beautifully.”
—Minnesota Public Radio

Marriage of a Thousand Lies is a fascinating work.​”
Paste Magazine 

“S​indu takes on the conflict between love of family and of oneself with clarity and laughs.”
—NOW Magazine

“A well-written debut . . . brings to light the layers of struggles that shape our decisions on how we choose to live our lives.”
—BookTrib​

​​“Marriage of a Thousand Lies is a beautiful exploration of queer South Asian-American identity​. With both a compelling plot and a beautifully crafted cast of characters, this novel is a must-read.​”
—Lambda Literary ​

“So good . . . heartbreaking in the way it portrayed the characters torn between happiness and custom. ​SJ ​Sindu does a beautiful job describing how Lucky feels about living a secret life and her fear of disappointing her parents, and the language and imagery is gorgeous.”
—BookRiot​

“[A] perceptive, subtle, and provocative first novel. Sindu’s characters are all believably complicated and compassionately observed, and she anchors the central tension between individuality and ties to family in concrete scenes from Lucky’s life. The author’s quirky sense of humor and matter-of-fact take on a potentially fraught situation keep the tone of the novel deceptively light, resulting in a moving and memorable story.”
—Publishers Weekly

“SJ Sindu’s fine debut [is] a timely tale with themes of immigration, free will, identity, and personal choice.”
​Booklist​ 


“A​n important intervention in the canons of both LGBTQ and South Asian literature. Marriage of a Thousand Lies is not only important: it’s also a beautiful book, with fresh, tidy prose, and complex, flawed characters, a novel that is at once sad and hopeful.​”
—Autostraddle

“A powerful critique of marriage, tradition and religion.”
—Gaysi

Marriage of a Thousand Lies is a deeply affecting work in many ways.​”
—The Aerogram ​

“​A​ poignant, heart-warming love story.”
Youth Ki Awaaz​
SJ Sindu is a Tamil diaspora author of two literary novels, two hybrid chapbooks, and two forthcoming graphic novels. Sindu’s first novel, Marriage of a Thousand Lies, won the Publishing Triangle Edmund White Award and the second novel, Blue-Skinned Gods, is currently a finalist for the Lambda Literary Award. Sindu’s newest work is the hybrid chapbook titled Dominant Genes. Sindu holds a PhD in English and Creative Writing from Florida State University and teaches at the University of Toronto Scarborough. More at sjsindu.com or @sjsindu on Twitter/Instagram.
When I was nine I wanted a short-sleeved button-down shirt. Amma refused to buy one from the boys’ section, pushed me instead toward the pinks and butterflies in the girls’, so I told her I needed one for a school play. I wore it open when I biked down hills, the wind slipping its fingers through the loose weave, cooling my sweat through my tank top. My best friend Nisha told me I’d make a cute boy, and her words squeezed something deep inside my bones, pried loose the skin between my legs. Pin pricks. Needles. My first lie.
 
 
Music pumps from the walls and jumps off the tin roof tiles. Gay night at the local dive, and it’s a clash of rainbow shirts against walls of dusty license plates. College lesbians and blue-collar queers slide around each other in the hot, coffin-shaped bar. Hands slip numbers over sticky tables, roaming thumbs hook over edges of rough denim, drunken tongues on beads of sweat, lips mix over whispered lies, skin on skin without room for truths and this is why we’re here.
     “Two o’clock,” Kris says. “Don’t look.” He leans my way over a tall, spindly table and sips his long island iced tea through a stirrer held between his teeth. His hair, which he grows out into a swoop over his left eye, falls down between us like a curtain. We’ve both taken off our wedding rings. Mine rests in a tiny glass tray in our bathroom. Kris’s is placed carefully on his nightstand next to his multivitamins.
     The walls vibrate with the bass, bouncing across my skin. I drink my beer and check my phone, wondering if it’s my ex calling, but it’s only my mother.
      “Your two o’clock, or mine?” I say.
      “Mine.” Kris shakes the hair out of his eyes and points at my phone. “Is it Emily?”
      “No.” I put my phone back in my pocket. It’s only been a couple of weeks since Emily and I broke up, but the time has stretched me out. My insides feel ragged and thin. I want the dance floor to swell up with people, the music to climb inside me and wipe my brain clean.
     Kris stares hard at his glass, now mostly filled with ice, the dark tea slurped down to the last inch. Even at twenty-seven, he is still all angles that push at his clothing.
     I drain the last of my beer and walk toward the bar. Kris’s two o’clock is a man sitting at the table next to ours in a Red Sox hat and a white Hanes shirt. He holds his Bud Light to his lips but doesn’t drink.
     I walk up next to a woman on a bar stool whose sad eyes droop down at the outer corners like they’re going to tip the pupils right out of her face. My phone buzzes. I ignore it. The woman smiles at me, her mouth edged in red lipstick. I could take her into a bathroom stall and push her up against the cold brick walls. I think of that red, red mouth gaping open, lipstick smeared, fingers clutching at me, lips slippery on my fingers and mouth.
     I smile back. She slides her bar stool closer and touches my arm when she talks, her fingers tingling the skin where I’ve pushed up the sleeves of my button-down. Kris would say it was worth it. A fuck’s a fuck, he would say.
     My phone buzzes. Amma again. I leave the woman smiling and walk back to where Kris is standing, stirring the ice in his glass around and around. This is the first time we’ve gone out in months—my unemployment and his busy work schedule as a second-pass message editor for a greeting card company keeps us out of the bars and at home doing normal married people things like Amma always wanted. Kris spends his nights trying to write his own greetings and staring at the cards framed over his desk, the few he got published when he first left engineering and started in this business. I spend my nights drawing commissions for horny suburban fanboys with money to waste—too-thin elves facing off against tentacled monsters, custom Sailor Scouts, coy anime girls frolicking at the beach, well-endowed geishas undressing in dimly-lit rooms.
      “So?” Kris says. He tips his glass back and shakes an ice cube into his mouth.
      “The one at the bar? I don’t think so.”
      “A fuck’s a fuck.” He holds the ice cube between his teeth and talks around it. “Emily’s getting laid. Why shouldn’t you?”
      “Shut up.” I wish I had bought another beer so that I’d have something to hold onto, so that the cold of it could take my mind off the ache in my stomach. My hands grasp at the air.
     The man in the Red Sox hat stares hard at Kris through the darkness of the bar.
      “Emily was no Nisha,” Kris says. He raises his empty glass. “To Nisha, your oldest and truest.”
     I feel the outline of my phone through my pocket and think about calling Nisha.
      “Red Sox Hat seems interested,” I say.
      “He’s drinking a Bud Light.”
      “A fuck’s a fuck.”
     I haven’t spoken to Nisha since my wedding, haven’t had a meaningful conversation with her since we graduated from high school four years before that. I tap my fingers on the table. What would she say if I called her now?
      “He’s not bad looking.” Kris tucks a piece of hair behind his ear and looks again at the man, letting his gaze linger. He crunches down on another ice cube. “He’s coming over.”
     Red Sox Hat puts his enormous biceps on our table, which creaks under the pressure. He’s younger-looking close up, probably still in his early twenties, still in college. Kris sits up a bit straighter.
     The man smirks at me and says, “Can I buy you a drink?”
     Before I can react, Kris reaches across the table and folds his fingers over my wrist. My phone buzzes.
      “This one’s mine,” Kris says.
     Red Sox Hat gets up off the table and looks from Kris to me and back to Kris. “My mistake.” He walks back to his table.
     I wrench myself from Kris’s grip. He puts his forehead in his hands.
      “Sorry,” I say. “I thought he was looking at you.”
     Kris nods to the table. I rub my wrist where he held it. We have an agreement that he’ll intervene if guys hit on me, but he overdoes it.
      “I knew these boots were a bad idea,” I say. Kris had picked them out. “I look straight.”
      “How’s this for a greeting? Roses are red, violets are blue.”
      “Is now really the time?”
      “Every guy I like just wants to sleep with you.”
      “Wonderful. You should write greetings for a living.”
     Kris lifts his head up and catches my eye. We laugh at the same time. Our heads tip toward each other and we clutch the table for support. Some of the thinness inside me fades. I feel almost solid.

About

“What a gorgeous, heartbreaking novel.”—Roxane Gay

A necessary and exciting addition to both the Sri Lankan-American and LGBTQ canons, SJ Sindu's debut novel offers a moving and sharply rendered​ exploration of friendship, family, love, and loss. 


Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.

As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

Praise

Winner of the ​Publishing Triangle Edmund White Debut Fiction Award
An ALA Stonewall Honor Book
Finalist for the Lambda Literary Award
Independent Publisher Book Awards
Silver Medalist for LGBT+ Fiction
Longlisted for the DSC Prize for South Asian Literature

Praise for Marriage of a Thousand Lies

“What a gorgeous, heartbreaking novel . . . How Lucky tries to free herself from a life of lies is an incredibly compelling tale.”
—Roxane Gay

A remarkable novel rich with interlocking issues both timeless and timely. SJ Sindu’s debut is more than impressive; it’s important.”
—Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain

“I love Lucky, the unforgettable narrator of Marriage of a Thousand Lies. She has taken a place among my favorite misfits in literature, a young woman longing for love and tradition and celebration and family even as she defies expectations and navigates her own paths. I’m especially captivated by the novel’s honesty and tenderness—SJ Sindu is an intuitive writer with great insights into the complications of love and friendship.”
—Timothy Schaffert, author of The Swan Gondola

“SJ Sindu has written an important novel about Sri Lankan immigrant culture. Here, the intersections of migration, sexuality and culture are explored in loving and heartbreaking detail. A book that reveals the secrets of a community caught between East and West.”
—Nayomi Munaweera, author of Island of a Thousand Mirrors

“E​ntertaining​.”
​​ —The Toronto Star​


“Enthralling . . . Sindu is a skilled writer, and this is a remarkable first novel.”
Los Angeles Review of Books ​ 

“Sindu’s heart-wrenching debut novel . . . incorporates love, loss, family, rebirth and growth to tell a captivating story you won’t be able to put down.”
Ms. Magazine

Marriage of a Thousand Lies is a rare book, written from a queer, South Asian perspective, but a welcome addition to an all-too-small canon.​”
—Houston Press​

“[Sindu] ​has written a debut novel that is honest and moving—a complex story about a Sri-Lankan family and a strong female protagonist who struggles with her own identity against a backdrop of deep traditions and community.”
Tallahassee Democrat​

​“Dazzling.”
—Bay Area Reporter

“Sindu handles the complexities of identity beautifully.”
—Minnesota Public Radio

Marriage of a Thousand Lies is a fascinating work.​”
Paste Magazine 

“S​indu takes on the conflict between love of family and of oneself with clarity and laughs.”
—NOW Magazine

“A well-written debut . . . brings to light the layers of struggles that shape our decisions on how we choose to live our lives.”
—BookTrib​

​​“Marriage of a Thousand Lies is a beautiful exploration of queer South Asian-American identity​. With both a compelling plot and a beautifully crafted cast of characters, this novel is a must-read.​”
—Lambda Literary ​

“So good . . . heartbreaking in the way it portrayed the characters torn between happiness and custom. ​SJ ​Sindu does a beautiful job describing how Lucky feels about living a secret life and her fear of disappointing her parents, and the language and imagery is gorgeous.”
—BookRiot​

“[A] perceptive, subtle, and provocative first novel. Sindu’s characters are all believably complicated and compassionately observed, and she anchors the central tension between individuality and ties to family in concrete scenes from Lucky’s life. The author’s quirky sense of humor and matter-of-fact take on a potentially fraught situation keep the tone of the novel deceptively light, resulting in a moving and memorable story.”
—Publishers Weekly

“SJ Sindu’s fine debut [is] a timely tale with themes of immigration, free will, identity, and personal choice.”
​Booklist​ 


“A​n important intervention in the canons of both LGBTQ and South Asian literature. Marriage of a Thousand Lies is not only important: it’s also a beautiful book, with fresh, tidy prose, and complex, flawed characters, a novel that is at once sad and hopeful.​”
—Autostraddle

“A powerful critique of marriage, tradition and religion.”
—Gaysi

Marriage of a Thousand Lies is a deeply affecting work in many ways.​”
—The Aerogram ​

“​A​ poignant, heart-warming love story.”
Youth Ki Awaaz​

Author

SJ Sindu is a Tamil diaspora author of two literary novels, two hybrid chapbooks, and two forthcoming graphic novels. Sindu’s first novel, Marriage of a Thousand Lies, won the Publishing Triangle Edmund White Award and the second novel, Blue-Skinned Gods, is currently a finalist for the Lambda Literary Award. Sindu’s newest work is the hybrid chapbook titled Dominant Genes. Sindu holds a PhD in English and Creative Writing from Florida State University and teaches at the University of Toronto Scarborough. More at sjsindu.com or @sjsindu on Twitter/Instagram.

Excerpt

When I was nine I wanted a short-sleeved button-down shirt. Amma refused to buy one from the boys’ section, pushed me instead toward the pinks and butterflies in the girls’, so I told her I needed one for a school play. I wore it open when I biked down hills, the wind slipping its fingers through the loose weave, cooling my sweat through my tank top. My best friend Nisha told me I’d make a cute boy, and her words squeezed something deep inside my bones, pried loose the skin between my legs. Pin pricks. Needles. My first lie.
 
 
Music pumps from the walls and jumps off the tin roof tiles. Gay night at the local dive, and it’s a clash of rainbow shirts against walls of dusty license plates. College lesbians and blue-collar queers slide around each other in the hot, coffin-shaped bar. Hands slip numbers over sticky tables, roaming thumbs hook over edges of rough denim, drunken tongues on beads of sweat, lips mix over whispered lies, skin on skin without room for truths and this is why we’re here.
     “Two o’clock,” Kris says. “Don’t look.” He leans my way over a tall, spindly table and sips his long island iced tea through a stirrer held between his teeth. His hair, which he grows out into a swoop over his left eye, falls down between us like a curtain. We’ve both taken off our wedding rings. Mine rests in a tiny glass tray in our bathroom. Kris’s is placed carefully on his nightstand next to his multivitamins.
     The walls vibrate with the bass, bouncing across my skin. I drink my beer and check my phone, wondering if it’s my ex calling, but it’s only my mother.
      “Your two o’clock, or mine?” I say.
      “Mine.” Kris shakes the hair out of his eyes and points at my phone. “Is it Emily?”
      “No.” I put my phone back in my pocket. It’s only been a couple of weeks since Emily and I broke up, but the time has stretched me out. My insides feel ragged and thin. I want the dance floor to swell up with people, the music to climb inside me and wipe my brain clean.
     Kris stares hard at his glass, now mostly filled with ice, the dark tea slurped down to the last inch. Even at twenty-seven, he is still all angles that push at his clothing.
     I drain the last of my beer and walk toward the bar. Kris’s two o’clock is a man sitting at the table next to ours in a Red Sox hat and a white Hanes shirt. He holds his Bud Light to his lips but doesn’t drink.
     I walk up next to a woman on a bar stool whose sad eyes droop down at the outer corners like they’re going to tip the pupils right out of her face. My phone buzzes. I ignore it. The woman smiles at me, her mouth edged in red lipstick. I could take her into a bathroom stall and push her up against the cold brick walls. I think of that red, red mouth gaping open, lipstick smeared, fingers clutching at me, lips slippery on my fingers and mouth.
     I smile back. She slides her bar stool closer and touches my arm when she talks, her fingers tingling the skin where I’ve pushed up the sleeves of my button-down. Kris would say it was worth it. A fuck’s a fuck, he would say.
     My phone buzzes. Amma again. I leave the woman smiling and walk back to where Kris is standing, stirring the ice in his glass around and around. This is the first time we’ve gone out in months—my unemployment and his busy work schedule as a second-pass message editor for a greeting card company keeps us out of the bars and at home doing normal married people things like Amma always wanted. Kris spends his nights trying to write his own greetings and staring at the cards framed over his desk, the few he got published when he first left engineering and started in this business. I spend my nights drawing commissions for horny suburban fanboys with money to waste—too-thin elves facing off against tentacled monsters, custom Sailor Scouts, coy anime girls frolicking at the beach, well-endowed geishas undressing in dimly-lit rooms.
      “So?” Kris says. He tips his glass back and shakes an ice cube into his mouth.
      “The one at the bar? I don’t think so.”
      “A fuck’s a fuck.” He holds the ice cube between his teeth and talks around it. “Emily’s getting laid. Why shouldn’t you?”
      “Shut up.” I wish I had bought another beer so that I’d have something to hold onto, so that the cold of it could take my mind off the ache in my stomach. My hands grasp at the air.
     The man in the Red Sox hat stares hard at Kris through the darkness of the bar.
      “Emily was no Nisha,” Kris says. He raises his empty glass. “To Nisha, your oldest and truest.”
     I feel the outline of my phone through my pocket and think about calling Nisha.
      “Red Sox Hat seems interested,” I say.
      “He’s drinking a Bud Light.”
      “A fuck’s a fuck.”
     I haven’t spoken to Nisha since my wedding, haven’t had a meaningful conversation with her since we graduated from high school four years before that. I tap my fingers on the table. What would she say if I called her now?
      “He’s not bad looking.” Kris tucks a piece of hair behind his ear and looks again at the man, letting his gaze linger. He crunches down on another ice cube. “He’s coming over.”
     Red Sox Hat puts his enormous biceps on our table, which creaks under the pressure. He’s younger-looking close up, probably still in his early twenties, still in college. Kris sits up a bit straighter.
     The man smirks at me and says, “Can I buy you a drink?”
     Before I can react, Kris reaches across the table and folds his fingers over my wrist. My phone buzzes.
      “This one’s mine,” Kris says.
     Red Sox Hat gets up off the table and looks from Kris to me and back to Kris. “My mistake.” He walks back to his table.
     I wrench myself from Kris’s grip. He puts his forehead in his hands.
      “Sorry,” I say. “I thought he was looking at you.”
     Kris nods to the table. I rub my wrist where he held it. We have an agreement that he’ll intervene if guys hit on me, but he overdoes it.
      “I knew these boots were a bad idea,” I say. Kris had picked them out. “I look straight.”
      “How’s this for a greeting? Roses are red, violets are blue.”
      “Is now really the time?”
      “Every guy I like just wants to sleep with you.”
      “Wonderful. You should write greetings for a living.”
     Kris lifts his head up and catches my eye. We laugh at the same time. Our heads tip toward each other and we clutch the table for support. Some of the thinness inside me fades. I feel almost solid.