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Pop Painting

Inspiration and Techniques from the Pop Surrealism Art Phenomenon

Author Camilla d'Errico
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Paperback
$21.99 US
Clarkson Potter/Ten Speed | Watson-Guptill
8.58"W x 10"H x 0.69"D   | 34 oz | 16 per carton
On sale Jan 05, 2016 | 248 Pages | 978-1-60774-807-6
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A unique behind-the-scenes guide to the painting process of one of the most popular artists working in the growing, underground art scene of Pop Surrealism.

Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings.

With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.
"An essential guide for artists and anyone interested in contemporary art."
—HENRY CHAMBERLAIN, Comics Grinder

"Camilla d’Errico’s vibrant personality and beautiful spirit overflows into her wonderfully unique and emotionally powerful art. In Pop Painting, a bright and insightful look into Camilla’s artistic mind, she generously shares her heartand creativity with the world, and inspires and encourages with every colorful page."
—BRANDI MILNE, Surrealist painter

"Pop Painting is a lovely guideto Camilla’s process."
—AMY SOL, visual artist
© Britney Berrner
CAMILLA d'ERRICO is a painter and manga artist whose client list includes Dark Horse Comics, Image Comics, Tokyopop, Hasbro, Disney, Sanrio, and Neil Gaiman. Her own characters and properties, Tanpopo and Helmetgirls, are international sensations and her emotive paintings have propelled her to the top of the ranks of the Pop Surrealism art movement. In 2011, she was nominated for both a Joe Shuster Award and a Will Eisner Ward--the two most prestigious awards in comics. She is the co-author of Pop Manga and the author of Pop Painting, Pop Manga Coloring Book, and the forthcoming Pop Manga Drawing. View titles by Camilla d'Errico
Pop Surrealism: What Is It?
Art movements are created in hindsight—we reflect on what happened and that’s how we are able to label and identify them. For those artists like myself, Mark Ryden, Audrey Kawasaki, James Jean, Camille Rose Garcia, and others, working within the movement, creating art before there was even a label, we didn’t pattern our art after something that we saw, but rather created it on the precipice of defining the style, giving the movement its foundation. My fellow Pop Surrealists and I actively created the art without being consciously aware of what we had to do in order to be Pop Surrealists. 
People ask me whether I like being labeled as a Pop Surrealist, whether I like being defined in such a way. I don’t mind it at all, because I don’t limit myself to it. I create art for myself; whether or not it fits within the confines of the definition of Pop Surrealism is up for interpretation. However, I believe that artists within the movement dictate what Pop Surrealism is, simply by breaking boundaries and continuously creating new and diverse art.
Copyright © 2016 by Camilla d'Errico. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Foreword by Greg “Craola” Simkins ix

Introduction 1

PART 1 CREATING POP SURREALISM

CH 1 Pop Surrealism: What Is It? 5
The Evolution of Pop Surrealism 7
Pop Surrealism—Be Inspired! 10

CH 2 Originality, Inspiration,and Intuition 13
What Inspires Me 14
Finding Inspiration 14
Using Intuition: Go withYour Gut! 14
Choosing Colors Intuitively 17
Choosing Titles Intuitively 17
Becoming a Better Artist 17

CH 3 Tools of the Trade 19
Paint 20
Drawing Tools 23
Brushes 25
Painting Surfaces 26
Easels 26
Other Helpful Tools 29
Selecting Your Tools 29

CH 4 The Artist’s Studio 31
Setup 32
Organization 35
Safety 35
Creative Space: What Is Needed 35
Outer Studio vs. Home Studio 36

CH 5 Sketching, Studies, or Just Doing It? 39
Sketching: Trials and Errors 39
Practice First 40
Do It! 40

CH 6 Composition 43
Juxtaposition 44
What to Do if You Run Out of Room 44
What to Do When Something Is Missing 47

CH 7 Pushing Boundaries 49
Paint with Your Gut, Not Your Head! 50
Dealing with Blocks and Dry Spells 50
Don’t Let Failure Get toYour Heart: Move On! 53

CH 8 Evoking Emotions 55
Tapping into Emotions 56
Your Emotions While Painting 56
Getting in the Mood 56
Coloring Emotion 59
Subject Matter and Emotion 59
Expressing Your Emotional Meaning 60
The Power of Emotions 60

CH 9 Blending 63
Blending Basics 64
Blend, Set, Go! 71
Light and Shadows 72
Depth: An In-Depth Look 74

PART 2 PAINTING POP SURREALISM

Top Ten Questions 78
Tips and Tricks 82

CH 10 Step-by-Step Examples 85
Humans 87
Eyes 89
Lips 99
Hair 109
Skin 117
Depth 125
Animals 133
Fur 135
Wings 143
Baby Animals 149
Rainbow Tigers 159
Melting Effects 167
Pools of Color 169
Melting Rainbow 175
Twisting Reality 183
Combining Cuteness 185
Tentacles 193
Cartoons and Caricatures 201
Butterfly Kisses 209

CH 11 Black and White:Paint Drawing 217
Surface Preparation and Underdrawing 218
The Paint Drawing Process 218
How to Paint Straight Lines 221
How to Paint over theCanvas Edges 221

CH 12 Passion to Profession 225
My Art Evolves 226
How I Learned to LovePainting 228
Finding My Creative Homein Pop Surrealism 228
On Being a ProfessionalArtist 231
Approaching Galleriesand Getting Started 231
Presenting Your Portfolio 232
Dealing with Rejection 232
Validate Yourself 234

Afterword 236
Credits 237
Index 238

About

A unique behind-the-scenes guide to the painting process of one of the most popular artists working in the growing, underground art scene of Pop Surrealism.

Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings.

With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.

Praise

"An essential guide for artists and anyone interested in contemporary art."
—HENRY CHAMBERLAIN, Comics Grinder

"Camilla d’Errico’s vibrant personality and beautiful spirit overflows into her wonderfully unique and emotionally powerful art. In Pop Painting, a bright and insightful look into Camilla’s artistic mind, she generously shares her heartand creativity with the world, and inspires and encourages with every colorful page."
—BRANDI MILNE, Surrealist painter

"Pop Painting is a lovely guideto Camilla’s process."
—AMY SOL, visual artist

Author

© Britney Berrner
CAMILLA d'ERRICO is a painter and manga artist whose client list includes Dark Horse Comics, Image Comics, Tokyopop, Hasbro, Disney, Sanrio, and Neil Gaiman. Her own characters and properties, Tanpopo and Helmetgirls, are international sensations and her emotive paintings have propelled her to the top of the ranks of the Pop Surrealism art movement. In 2011, she was nominated for both a Joe Shuster Award and a Will Eisner Ward--the two most prestigious awards in comics. She is the co-author of Pop Manga and the author of Pop Painting, Pop Manga Coloring Book, and the forthcoming Pop Manga Drawing. View titles by Camilla d'Errico

Excerpt

Pop Surrealism: What Is It?
Art movements are created in hindsight—we reflect on what happened and that’s how we are able to label and identify them. For those artists like myself, Mark Ryden, Audrey Kawasaki, James Jean, Camille Rose Garcia, and others, working within the movement, creating art before there was even a label, we didn’t pattern our art after something that we saw, but rather created it on the precipice of defining the style, giving the movement its foundation. My fellow Pop Surrealists and I actively created the art without being consciously aware of what we had to do in order to be Pop Surrealists. 
People ask me whether I like being labeled as a Pop Surrealist, whether I like being defined in such a way. I don’t mind it at all, because I don’t limit myself to it. I create art for myself; whether or not it fits within the confines of the definition of Pop Surrealism is up for interpretation. However, I believe that artists within the movement dictate what Pop Surrealism is, simply by breaking boundaries and continuously creating new and diverse art.
Copyright © 2016 by Camilla d'Errico. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Table of Contents

Foreword by Greg “Craola” Simkins ix

Introduction 1

PART 1 CREATING POP SURREALISM

CH 1 Pop Surrealism: What Is It? 5
The Evolution of Pop Surrealism 7
Pop Surrealism—Be Inspired! 10

CH 2 Originality, Inspiration,and Intuition 13
What Inspires Me 14
Finding Inspiration 14
Using Intuition: Go withYour Gut! 14
Choosing Colors Intuitively 17
Choosing Titles Intuitively 17
Becoming a Better Artist 17

CH 3 Tools of the Trade 19
Paint 20
Drawing Tools 23
Brushes 25
Painting Surfaces 26
Easels 26
Other Helpful Tools 29
Selecting Your Tools 29

CH 4 The Artist’s Studio 31
Setup 32
Organization 35
Safety 35
Creative Space: What Is Needed 35
Outer Studio vs. Home Studio 36

CH 5 Sketching, Studies, or Just Doing It? 39
Sketching: Trials and Errors 39
Practice First 40
Do It! 40

CH 6 Composition 43
Juxtaposition 44
What to Do if You Run Out of Room 44
What to Do When Something Is Missing 47

CH 7 Pushing Boundaries 49
Paint with Your Gut, Not Your Head! 50
Dealing with Blocks and Dry Spells 50
Don’t Let Failure Get toYour Heart: Move On! 53

CH 8 Evoking Emotions 55
Tapping into Emotions 56
Your Emotions While Painting 56
Getting in the Mood 56
Coloring Emotion 59
Subject Matter and Emotion 59
Expressing Your Emotional Meaning 60
The Power of Emotions 60

CH 9 Blending 63
Blending Basics 64
Blend, Set, Go! 71
Light and Shadows 72
Depth: An In-Depth Look 74

PART 2 PAINTING POP SURREALISM

Top Ten Questions 78
Tips and Tricks 82

CH 10 Step-by-Step Examples 85
Humans 87
Eyes 89
Lips 99
Hair 109
Skin 117
Depth 125
Animals 133
Fur 135
Wings 143
Baby Animals 149
Rainbow Tigers 159
Melting Effects 167
Pools of Color 169
Melting Rainbow 175
Twisting Reality 183
Combining Cuteness 185
Tentacles 193
Cartoons and Caricatures 201
Butterfly Kisses 209

CH 11 Black and White:Paint Drawing 217
Surface Preparation and Underdrawing 218
The Paint Drawing Process 218
How to Paint Straight Lines 221
How to Paint over theCanvas Edges 221

CH 12 Passion to Profession 225
My Art Evolves 226
How I Learned to LovePainting 228
Finding My Creative Homein Pop Surrealism 228
On Being a ProfessionalArtist 231
Approaching Galleriesand Getting Started 231
Presenting Your Portfolio 232
Dealing with Rejection 232
Validate Yourself 234

Afterword 236
Credits 237
Index 238

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