Foreword by Ira Goldberg vi
Acknowledgments viii
Introduction 1
Some Basic Terms and Definitions 2
About This Book 7
Part I: Relief Printmaking
1 | Relief Printmaking Background and Basics 11
A Brief History 11
Western- versus Japanese-Style
Relief Printing 18
2 | Woodblock Printing 29
Equipment and Materials for
Woodcuts 29
Reduction-Method Woodblock
Printing 31
Western-Style Multiblock Woodcuts 43
Japanese-Style Multiblock Woodcuts
(Ukiyo-e) 44
3 | Linoleum Block Printing 49
Equipment and Materials for Linocuts 49
Single-Color (Black and White)
Linocuts 50
Color Reduction Linocuts 53
Part II: Intaglio Printmaking
4 | Intaglio Printmaking Background
and Basics 61
A Brief History 65
Equipment and Materials 72
Preparing the Plate 77
5 | Non-Acid Intaglio Techniques 81
Drypoint 82
Engraving 83
Mezzotint 87
6 | Acid Intaglio Techniques 97
Hard Ground Etching 97
Soft Ground Etching 103
Aquatint 109
Acid-Resist Open Bite Etching 125
Embossing 129
Sugar Lift 132
7 | Collography 137
8 | Photo-Etching and Photogravure 143
Polymer Photo-Etching 143
Toner Transfer Photo-Etching 151
Polymer Photogravure 155
9 | Printing Intaglio 159
Printing in Monochrome 159
Printing in Multiple Colors à la Poupée 162
Printing in Multiple Colors—Color
Separation Method 163
Roll-up Viscosity Printing 163
Part III: Lithography
And Serigraphy
10 | Lithography 169
A Brief History 171
Equipment and Materials 177
Stone Lithography 181
Hand-Drawn Lithography on
Aluminum 200
Photolithography 206
Pronto Polyester Lithography 214
Paper Lithography 221
11 | Serigraphy 225
A Brief History 226
Equipment and Materials 228
Basic Screen Printing Techniques 230
Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques
12 | Chine-Collé 239
13 | Mixed Media 251
Richard Pitts 252
Jase Clark 256
Slavko Djuric 260
Shelley Thorstensen 264
Janet Millstein 268
Marcin Wlodarczyk 272
14 | Digital Transfers 276
15 | Post-Digital Graphics 285
Resources 296
For Further Reading 299
About the Author 301
Index 302