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Fingersmith

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Paperback
$19.00 US
5"W x 7.9"H x 1.2"D   | 14 oz | 24 per carton
On sale Oct 01, 2002 | 600 Pages | 978-1-57322-972-2

“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review  

The Handmaiden, a film adaptation of Fingersmith, directed by Park Chan-wook and starring Kim Tae-Ri, is now available.

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.

One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.

With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

  • WINNER
    Entertainment Weekly's Best Book
  • WINNER
    Lambda Literary Award
  • WINNER
    Man Booker Prize for Fiction
  • WINNER
    New York Times Notable Book
  • WINNER
    Orange Prize for Fiction
“Deliciously brazen…a smart and seductive enchantment.”
Los Angeles Times

“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”
The New York Times Book Review 

“Astonishing narrative twists.”
Newsday 

“Superb storytelling. Fingersmith is gripping; so suspenseful and twisting is the plot that for the last 250 pages, I read at breakneck speed.”
USA Today 

“A deftly plotted thriller…absorbing and elegant.”
Entertainment Weekly

“A marvelous pleasure…Waters’s noted attention to historical detail and her beautifully sensitive dialogue help to anchor the force-five plot twisters.”
The Washington Post 

“Calls to mind the feverishly gloomy haunts of Charlotte and Emily Brontë…Elaborate and satisfying.”
The Seattle Times

“A sweeping read.”
The Boston Globe
© Charlie Hopkinson
Sarah Waters is the New York Times bestselling author of The Paying GuestsThe Little StrangerThe Night WatchFingersmith, Affinity, and Tipping the Velvet. She has been shortlisted three times for the Man Booker Prize, has been a finalist twice for the Orange Prize, and was named one of Granta’s best young British novelists, among other distinctions. Waters lives in London. View titles by Sarah Waters
My name, in those days, was Susan Trinder. People called me Sue. I know the year I was born in, but for many years I did not know the date, and took my birthday at Christmas. I believe I am an orphan. My mother I know is dead. But I never saw her, she was nothing to me. I was Mrs Sucksby’s child, if I was anyone’s; and for father I had Mr Ibbs, who kept the locksmith’s shop, at Lant Street, in the Borough, near to the Thames.

This is the first time I remember thinking about the world and my place in it.

There was a girl named Flora, who paid Mrs Sucksby a penny to take me begging at a play. People used to like to take me begging then, for the sake of my bright hair; and Flora being also very fair, she would pass me off as her sister. The theatre she took me to, on the night I am thinking of now, was the Surrey, St George’s Circus. The play was Oliver Twist. I remember it as very terrible. I remember the tilt of the gallery, and the drop to the pit. I remember a drunken woman catching at the ribbons of my dress. I remember the flares, that made the stage very lurid; and the roaring of the actors, the shrieking of the crowd. They had one of the characters in a red wig and whiskers: I was certain he was a monkey in a coat, he capered so. Worse still was the snarling, pink-eyed dog; worst of all was that dog’s master—Bill Sykes, the fancy-man. When he struck the poor girl Nancy with his club, the people all down our row got up. There was a boot thrown at the stage. A woman beside me cried out,

‘Oh, you beast! You villain! And her worth forty of a bully like you!’

I don’t know if it was the people getting up—which made the gallery seem to heave about; or the shrieking woman; or the sight of Nancy, lying perfectly pale and still at Bill Sykes’s feet; but I became gripped by an awful terror. I thought we should all be killed. I began to scream, and Flora could not quiet me. And when the woman who had called out put her arms to me and smiled, I screamed out louder. Then Flora began to weep—she was only twelve or thirteen, I suppose. She took me home, and Mrs Sucksby slapped her.

‘What was you thinking of, taking her to such a thing?’ she said. ‘You was to sit with her upon the steps. I don’t hire my infants out to have them brought back like this, turned blue with screaming. What was you playing at?’

She took me upon her lap, and I wept again. ‘There now, my lamb,’ she said. Flora stood before her, saying nothing, pulling a strand of hair across her scarlet cheek. Mrs Sucksby was a devil with her dander up. She looked at Flora and tapped her slippered foot upon the rug, all the time rocking in her chair—that was a great creaking wooden chair, that no-one sat in save her—and beating her thick, hard hand upon my shaking back. Then,

‘I know your little rig,’ she said quietly. She knew everybody’s rig. ‘What you get? A couple of wipers, was it? A couple of wipers, and a lady’s purse?’

About


“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review  

The Handmaiden, a film adaptation of Fingersmith, directed by Park Chan-wook and starring Kim Tae-Ri, is now available.

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.

One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.

With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

Awards

  • WINNER
    Entertainment Weekly's Best Book
  • WINNER
    Lambda Literary Award
  • WINNER
    Man Booker Prize for Fiction
  • WINNER
    New York Times Notable Book
  • WINNER
    Orange Prize for Fiction

Praise

“Deliciously brazen…a smart and seductive enchantment.”
Los Angeles Times

“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”
The New York Times Book Review 

“Astonishing narrative twists.”
Newsday 

“Superb storytelling. Fingersmith is gripping; so suspenseful and twisting is the plot that for the last 250 pages, I read at breakneck speed.”
USA Today 

“A deftly plotted thriller…absorbing and elegant.”
Entertainment Weekly

“A marvelous pleasure…Waters’s noted attention to historical detail and her beautifully sensitive dialogue help to anchor the force-five plot twisters.”
The Washington Post 

“Calls to mind the feverishly gloomy haunts of Charlotte and Emily Brontë…Elaborate and satisfying.”
The Seattle Times

“A sweeping read.”
The Boston Globe

Author

© Charlie Hopkinson
Sarah Waters is the New York Times bestselling author of The Paying GuestsThe Little StrangerThe Night WatchFingersmith, Affinity, and Tipping the Velvet. She has been shortlisted three times for the Man Booker Prize, has been a finalist twice for the Orange Prize, and was named one of Granta’s best young British novelists, among other distinctions. Waters lives in London. View titles by Sarah Waters

Excerpt

My name, in those days, was Susan Trinder. People called me Sue. I know the year I was born in, but for many years I did not know the date, and took my birthday at Christmas. I believe I am an orphan. My mother I know is dead. But I never saw her, she was nothing to me. I was Mrs Sucksby’s child, if I was anyone’s; and for father I had Mr Ibbs, who kept the locksmith’s shop, at Lant Street, in the Borough, near to the Thames.

This is the first time I remember thinking about the world and my place in it.

There was a girl named Flora, who paid Mrs Sucksby a penny to take me begging at a play. People used to like to take me begging then, for the sake of my bright hair; and Flora being also very fair, she would pass me off as her sister. The theatre she took me to, on the night I am thinking of now, was the Surrey, St George’s Circus. The play was Oliver Twist. I remember it as very terrible. I remember the tilt of the gallery, and the drop to the pit. I remember a drunken woman catching at the ribbons of my dress. I remember the flares, that made the stage very lurid; and the roaring of the actors, the shrieking of the crowd. They had one of the characters in a red wig and whiskers: I was certain he was a monkey in a coat, he capered so. Worse still was the snarling, pink-eyed dog; worst of all was that dog’s master—Bill Sykes, the fancy-man. When he struck the poor girl Nancy with his club, the people all down our row got up. There was a boot thrown at the stage. A woman beside me cried out,

‘Oh, you beast! You villain! And her worth forty of a bully like you!’

I don’t know if it was the people getting up—which made the gallery seem to heave about; or the shrieking woman; or the sight of Nancy, lying perfectly pale and still at Bill Sykes’s feet; but I became gripped by an awful terror. I thought we should all be killed. I began to scream, and Flora could not quiet me. And when the woman who had called out put her arms to me and smiled, I screamed out louder. Then Flora began to weep—she was only twelve or thirteen, I suppose. She took me home, and Mrs Sucksby slapped her.

‘What was you thinking of, taking her to such a thing?’ she said. ‘You was to sit with her upon the steps. I don’t hire my infants out to have them brought back like this, turned blue with screaming. What was you playing at?’

She took me upon her lap, and I wept again. ‘There now, my lamb,’ she said. Flora stood before her, saying nothing, pulling a strand of hair across her scarlet cheek. Mrs Sucksby was a devil with her dander up. She looked at Flora and tapped her slippered foot upon the rug, all the time rocking in her chair—that was a great creaking wooden chair, that no-one sat in save her—and beating her thick, hard hand upon my shaking back. Then,

‘I know your little rig,’ she said quietly. She knew everybody’s rig. ‘What you get? A couple of wipers, was it? A couple of wipers, and a lady’s purse?’