PROLOGUEThe Oracle
 Time moves in spirals;
 we are flotsam on Time’s sea.
 Time moves in spirals
 and repeats its tragedies.  
 This story is about two boys,
 separated by centuries,
 parted by myth,
 divided by reality.  
 Two boys hoping to be men.
 Two boys severed from their fathers.
 Two boys searching a maze of manhood.  
 One in ancient Greece
 from a time of magic and mythos.
 One in modern London,
 a city of delusion and gloss.  
 I am the Oracle,
 your thread through this maze
 as two boys start their journeys.
 No step will escape my gaze.  
 Let me hold your hand
 through these dark and winding lands.
 Let us discover together
 what it means to be a man.   
CHAPTER 1 Theo   Theo First Hears of Theseus
 I’m doodling again,
 geometric patterns and swirls.
 Mr. Addo doesn’t mind.
 He lets me doodle—
 knows it helps me think.  
 Mr. Addo is silent again. He does this thing
 when he forgets words—
 presses thumb and forefinger
 to the bridge of his nose and massages,
 as if memory is a small furry thing
 behind the eyes that needs coaxing.
 He massages and ignores
 our word offerings
 until memory squeals to his stroking.  
 “Manhood—Theseus’s story
 is about manhood—
 about fathers and sons,
 about nature and nurture,
 about legacy and destiny,
 about parents and their children
 and what it means to be a man.”  
 I nearly say something
 before remembering
 the happy-family kids around me—
 the two-parent kids,
 big-house-in-Putney kids,
 been-on-a-plane kids,
 have-the-full-Sky-package kids.  
 I rest my head back on my arms
 and listen to Mr. Addo tell Theseus’s story.
 I scratch a poem title
 into my book . . .   
Theseus Killed Them!   Theseus Killed Them!
 “Your father is a king,” said his mother.
 “Just lift this heavy rock—
 he left some things for you
 to prove you’re kingly stock.”  
 Beneath the rock he found:
 sandals and a sword.
 Sandals for a journey,
 a sword for the criminal hordes.  
 Theseus walked his father’s road
 but the way was filled with tests.
 He had to battle six enemies
 and prove he was the best.  
 The first was Periphetes,
 who was a little dim.
 Theseus took his bronze club;
 Theseus killed him.  
 The second was Sinis,
 who killed with a bent-tree limb.
 He ripped his victims in two;
 Theseus killed him.  
 The third was a pig
 who’d been causing quite a stir.
 She was the Crommyonian Sow;
 Theseus killed her.  
 The fourth was Sciron,
 who gave his victims a surprise swim.
 He’d feed them to a monster turtle!
 Theseus killed him.  
 The fifth was Cercyon,
 a king who wrestled for a whim.
 He’d wrestle strangers to death;
 Theseus killed him.  
 The sixth was the innkeeper Procrustes,
 who liked everything to be trim,
 forcing guests to fit his bed!
 Theseus killed him.  
 When the killing journey was done
 Theseus found his father’s kingdom grim,
 the young yearly killed by the Minotaur . . .
 so Theseus killed him!  
 All About the Minotaur
 We have to choose
 a subject for our
 English coursework.  
 I choose
         to write about Theseus.
         Everything is just about him and the Minotaur.
 I choose
         to delve into his journey to his father.  
 I choose
         to start reading
         everything I can about him.  
 Everything is all about the bull.
 Everything is all about the Minotaur.
 Everything is about muscle and horns.
 Everything is about bestial strength,
                                                                 blood and bones.  
 I choose
         to make my coursework
         a series of poems
         about his search for his father.  
 “Why Can’t I See Dad?”
I’ve noticed a silence
 whenever I ask about my father.
 Unspoken whisperings
 mumble behind my mother’s sealed lips.  
 I last saw him
 in a mudslide of argument.
 Told never to open the door to him,
                                         to stonewall his calls
                                                 and brick up his letters.  
 Seventeen now and feeling the weight
 of a father’s absence.
 Manhood’s become a rock
 I cannot lift alone.  
 It’s more than the clichéd stuff,
 the girl stuff,
 the body-changing stuff.
 It’s an energy thing.
 A sit-back-and-relax-with-Dad thing.
 A kick-off-your-sandals-and-trade-sword-stories thing.  
 But my mother’s silence is immovable
 as I try to pry up the edges
 of her secrets.  
 Offerings
 Years of sacrifice,
 years of feeding
 quivering concerns
 into the flaring snout of my mind.   
I wanna see my dad                 But he left us I don’t need him                 But I miss him If he cared, he’d call                 Who can I ask . . . ? If he cared, he’d send a card                 Who would understand? What parts of me are like him?   There Is a Stone in my Chest
Mark and I map the future
 on a rainy walk home after school.  
 He wants to be a journalist.
 His dad will teach him how to drive,
 he’s already picked his universities,
 his parents will be at the open houses,
 his dad lets him sip raindrops of whiskey
 on sleepless nights.
 His dad tells him how to talk to girls,
 how to be respectful,
 how to listen
 like leaves listen to morning dew.  
 My mum tells me . . .
         “You don’t have to go to university—
         no one in our family has. You’ll drown.”
 My mum says . . .
         “Splash your name onto the council housing list.”
 My mum says . . .
         “Not another drab open house—
         I’m not going again.”  
 Dad would want me to go.
 On his hailstone visits
 he’d complain to Mum . . .
 “Why can’t this boy read?”                          
 Because no one taught me how.   There is a stone in my chest
 when I think of my father.
 A stone I cannot lift.
 A stone that settles its weight
 when I visit the barber’s alone,
 when my body blooms.
 There is a stone in my chest
 that I cannot lift.								
									 Copyright © 2023 by Joseph Coelho; illustrated by Kate Milner. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.