Dorothy Livesay Poetry Prize, Finalist
George Ryga Award for Social Awareness in Literature, Shortlist
Pat Lowther Memorial Award, Shortlist
Raymond Souster Award, Shortlist
Gerald Lampert Memorial Award, Longlist
Praise for The Knot of My Tongue and Zehra Naqvi
“Zehra Naqvi’s The Knot of My Tongue recalls and rebirths the forgotten and the unspoken. From ancestral bloodlettings to the slow, grim furl of brothers becoming men against an ongoing backdrop of tyranny and violence on repeat, Naqvi thread the ancient with the present, the estoric with the primal, filling longstanding silences surrounding familiar women with perplexed paths and intricate, immediate personhood. The Knot of My Tongue is a fresh, adroit testimony both to memory itself and to the brave, crucial and urgently necessary act of remembering, its enduring promise of connection across exile, loss and the many faces of solitude.” —2025 Pat Lowther Memorial Award Shortlist Jury
“The Knot of My Tongue is a feast after the fast, a nourishing debut that floods love and remembrance and identity into every waiting crack and hollow. Naqvi’s poems are generational prayers and stories uttered with a clarity and tenderness that invite her readers to fulfill, instead, the elevated role of witnessing. This collection is an intimate, incisive, and deservedly self-assured gift of voice and story.” —2025 Raymond Souster Award Jury
“[A] beautiful, no-holds-barred first collection. 'The Knot' skillfully threads stories from family, Quranic traditions, myth, the 1947 Partition, and struggles as immigrants in a new country, among other things, to explore violence and horrors both historic and personal, the strength of family and female connections, and self-discovery, on and off the page. These poems are made of survival, moving forward, all the while ensuring nothing is ‘unwitnessed, nothing forgotten.’” —Toronto Star
“Naqvi’s work seamlessly blends the personal and the communal, memory and myth, theology, and tradition. Through an exploration of language and loss, this book offers insights into the power inherent in speaking through adversity, presenting a singular vision that is compelling in its emotional resonance.” —BC Bookworld
“Propulsive.” —The Winnipeg Free Press
“In Zehra Naqvi’s The Knot of My Tongue, the titular reference to Musa’s prayer to be understood, Musa’s prayer for witness, animates these poems, reiterates the prayer, and meets it with action. Silence and storytelling form a lush tapestry, a tender and rigorous interrogation, tightly knotted in the long history of women, beginning here in these poems to unknot.” —Safia Elhillo, author of Girls That Never Die
“Zehra Naqvi knows the poetry of rain. Remembering barish, for baba, the poet has walked continents away, still singing the intimacies and mythologies of family and home. After the storm, out beyond moments and rooms, Naqvi determines the form, reads her own body, and carries the day with this shining debut—elegant and unforgettable.” —Cecily Nicholson, author of Harrowings
“‘Here in the after / how do I give myself form?’ Zehra Naqvi’s debut book of poems is a steady reckoning with inheritance: a contention of private pain against rituals of collective mourning that venerate female prophetic voices of witness from Hajar to Zainab. The Knot of My Tongue moves through forms of pilgrimage both embodied (as the Arba’in walk from Najaf to Karbala) and as an introspective reclamation of the will, the splendid emergence of the poetic self.” —Rahat Kurd, author of Cosmophilia
“It’s clear to me that Zehra Naqvi’s long-awaited debut is a future classic. The Knot of My Tongue weaves matriarchal elegy and triumph into an absolutely riveting, multilingual devotion that echoes long after the last page. This is a text I will return to and learn from again and again.” —Leah Horlick, author of Moldovan Hotel
“In the tradition of the many great poet-revolutionaries, Naqvi deploys language like a tool: as a call to action, testament against injustice, and container for ancestral memories. More than that, however, she guides us, expertly and with great vulnerability, through the spaces between words towards those truths that are only found beyond the pale of language.” —Irfan Ali, author of Accretion
