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Lost Boy Lost Girl

A Novel

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On sale May 06, 2025 | 288 Pages | 9780593975909

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WINNER OF THE BRAM STOKER AWARD • While investigating his nephew’s disappearance, a man discovers a twisted web of secrets that threatens everything he holds dear in this “masterful tale of ultra horror” (Entertainment Weekly) from the #1 New York Times bestselling author of Ghost Story.

“A nuanced, layered reworking of the haunted house story.”—The Philadelphia Inquirer

A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge.

No mere empty building, the house on Michigan street whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim comes to fear that in investigating its unspeakable history, Mark stumbled upon its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.
Lost Boy Lost Girl may be the best book of [Peter Straub’s] career.”—Stephen King

“Genuinely creepy.”The New York Times Book Review

“A lost boy and a lost girl, a serial killer and a haunted house, a suicide and a kidnapping—Straub’s masterful tale of ultra horror is all that and a bag of chips!”Entertainment Weekly (The Must List)

“Eerie, unnerving, and concise . . . dark and surprisingly moving.”The Miami Herald

“Straub is the master of subtle, smoldering dread. . . . This consummate horror novelist’s creepy, erudite vision of the beyond will chill you like the winter wind.”People

“A real thinking-person’s thriller, a nuanced, layered reworking of the haunted house story, genuinely creepy.”The Philadelphia Inquirer

“A near-perfect amalgam of mystery and horror that marks yet another high point in Straub’s excellent career as a novelist . . . [He is] at the height of his storytelling powers. This one is his spookiest, most unnerving solo effort since Ghost Story.”Denver Post

“Peter Straub is just plain scary, never more so than in lost boy lost girl . . . an inspired mixture of creative dread and delight, seamlessly crafted so to defy description. . . . [He] breathes life into the dead, making it seem entirely possible, even logical, for such spirits to exist. . . . While the fear factor scores high, Straub makes it flow naturally because, not despite, a story line that stubbornly refuses to stick to chronology or a single narrative voice. He tells many stories in one.”The Columbus Dispatch

“A whale of a book.”Dark Realms

“This is the great novel of the supernatural Straub has always had in him to write . . . beautiful, moving, and spiritually rich.”Booklist

“Strikingly imagined.”Kirkus Reviews

“A ghost story, a serial killer story, a haunted house story and an unhappy family story told from multiple perspectives . . . taut and surprisingly moving, a treat even for those who don’t believe in ghosts . . . [Straub] is a deft and literate storyteller who makes you believe in the impossible.”Detroit News
Peter Straub authored numerous bestselling novels, including Ghost Story, Floating Dragon, Shadowland, and Julia—as well as The Talisman and Black House, which he co-authored with Stephen King. He also published short fiction, poetry, and a graphic novel. A prolific Grand Master of Horror, he won the British Fantasy Award; ten Bram Stoker Awards; three International Horror Guild Awards; ten World Fantasy Awards; and was the recipient of several Lifetime Achievement Awards. He passed away in 2022. View titles by Peter Straub
1

Nancy Underhill’s death had been unexpected, abrupt—a death like a slap in the face. Tim, her husband’s older brother, knew nothing more. He could scarcely be said really to have known Nancy. On examination, Timothy Underhill’s memories of his sister-in-law shrank into a tiny collection of snapshots. Here was Nancy’s dark, fragile smile as she knelt beside her two-year-old son, Mark, in 1990; here she was, in another moment from that same visit, snatching up little Mark, both of them in tears, from his baby seat and rushing from the dim unadorned dining room. Philip, whose morose carping had driven his wife from the room, sat glaring at the dried-out pot roast, deliberately ignoring his brother’s presence. When at last he looked up, Philip said, “What?”

Ah Philip, you were ever a wonder. The kid can’t help being a turd, Pop said once. It seems to be one of the few things that make him feel good.

One more of cruel memory’s snapshots, this from an odd, eventful visit Tim had paid to Millhaven in 1993, when he flew the two and a half hours from La Guardia on the same carrier, and from all available evidence also the same craft, as this day: Nancy seen through the screen door of the little house on Superior Street, beaming as she hurried Tim-ward down the unlighted hallway, her face alight with the surprise and pleasure given her by the unexpected arrival on her doorstep of her brother-in-law (“famous” brother-in-law, she would have said). She had, simply, liked him, Nancy had, to an extent he’d understood only at that moment.

That quietly stressed out little woman, often (Tim thought) made wretched by her husband and sewn into her marriage by what seemed determination more than love, as if the preparation of many thousands of daily meals and a succession of household “projects” provided most of the satisfaction she needed to keep her in place. Of course Mark must have been essential; and maybe her marriage had been happier than Tim imagined. For both their sakes, he hoped it had been.

Philip’s behavior over the next few days would give him all the answers he was likely to get. And with Philip, interpretation was always necessary. Philip Underhill had cultivated an attitude of discontent ever since he had concluded that his older brother, whose flaws shone with a lurid radiance, had apparently seized from birth most of the advantages available to a member of the Underhill clan. From early in his life, nothing Philip could get or achieve was quite as good as it would have been but for the mocking, superior presence of his older brother. (In all honesty, Tim did not doubt that he had tended to lord it over his little brother. Was there ever an older brother who did not?) During all of Philip’s adult life, his grudging discontent had been like a role perfectly inhabited by an actor with a gift for the part: somewhere inside, Tim wanted to believe, the real Philip must have lived on, capable of joy, warmth, generosity, selflessness. It was this inner, more genuine self that was going to be needed in the wake of Nancy’s mysterious death. Philip would need it for his own sake if he were to face his grief head-on, as grief had to be faced; but more than that, he would need it for his son. It would be terrible for Mark if his father somehow tried to treat his mother’s death as yet another typical inconvenience different from the rest only by means of its severity.

From what Tim had seen on his infrequent returns to Millhaven, Mark seemed a bit troubled, though he did not wish to think of his nephew in the terms suggested by the word “troubled.” Unhappy, yes; restless; unfocused; afflicted with both a budding arrogance and what Tim had perceived was a good and tender heart. A combination so conflicted lent itself naturally to restlessness and lack of focus. So, as far as Tim remembered, did being fifteen years old. The boy was trim and compact, physically more like his mother than his father: dark-haired and dark-eyed—though presently his hair was clipped so short its color was merely some indeterminate shade of darkness—with a broad forehead and a narrow, decisive chin. Two steel rings rode the outer ridges of his right ear. He slopped around in big T-shirts and oversized jeans, alternately grimacing and grinning at the music earphoned into his head from an improbably tiny device, an iPod or an MP3 player. Mark was devoted to a strange cross section of contemporary music: Wilco, the Magnetic Fields, the White Stripes, the Strokes, Yo La Tengo, Spiritualized, and the Shins, but also Bruce Springsteen, Jimmy LaFave, and Eminem, whom he seemed to appreciate in an ironic spirit. His “pin-up girl,” he had informed his uncle in an e-mail, was Karen O of the Yeah Yeah Yeahs.

In the past sixteen months, Mark had e-mailed his uncle four times, not so briefly as to conceal a tone Tim found refreshing for being sidelong, sweet, and free of rhetorical overkill. Mark’s first and longest e-mail used the excuse of a request for advice, Tim thought, as a way to open communications between them.

Sent: Sunday, February 3, 2002 4:06 p.m.
Subject: speak, o wise one

hi de ho
this is your nephew mark in case u couldn’t decipher the from line. so I was having this lil disagreement with my father, and I wanted 2 ask your advice. after all u managed 2 get out of this burg & travel around & u write books & u live in nyc & all that means u shd have a pretty open mind. I hope it does.
bcuz u & u alone will decide what i do next. my dad sez he will go along with u no matter what. I dunno maybe he doesn’t want 2 have 2 decide. (mom sez, quote, don’t ask me, I don’t want to hear abt it, unquote. that’s what mom sez.)

i turn 14 next month and 2 celebrate my bday I’d like 2 get a tongue piercing. 1 of my friends has a pierced tongue and he sez it isn’t 2 painful at all and its over in a jiff. I’d really like 2 do this. don’t u think 14 is the rite age 2 go out and do something dumb, provided u do think it is dumb to pierce your tongue, which I obviously do not? in a year or 2 I’ll take it out & go back 2 being boring & normal. or what d’you say, move up 2 a cool tat?

waiting 2 hear from the famous unk

m

About

WINNER OF THE BRAM STOKER AWARD • While investigating his nephew’s disappearance, a man discovers a twisted web of secrets that threatens everything he holds dear in this “masterful tale of ultra horror” (Entertainment Weekly) from the #1 New York Times bestselling author of Ghost Story.

“A nuanced, layered reworking of the haunted house story.”—The Philadelphia Inquirer

A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge.

No mere empty building, the house on Michigan street whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim comes to fear that in investigating its unspeakable history, Mark stumbled upon its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.

Praise

Lost Boy Lost Girl may be the best book of [Peter Straub’s] career.”—Stephen King

“Genuinely creepy.”The New York Times Book Review

“A lost boy and a lost girl, a serial killer and a haunted house, a suicide and a kidnapping—Straub’s masterful tale of ultra horror is all that and a bag of chips!”Entertainment Weekly (The Must List)

“Eerie, unnerving, and concise . . . dark and surprisingly moving.”The Miami Herald

“Straub is the master of subtle, smoldering dread. . . . This consummate horror novelist’s creepy, erudite vision of the beyond will chill you like the winter wind.”People

“A real thinking-person’s thriller, a nuanced, layered reworking of the haunted house story, genuinely creepy.”The Philadelphia Inquirer

“A near-perfect amalgam of mystery and horror that marks yet another high point in Straub’s excellent career as a novelist . . . [He is] at the height of his storytelling powers. This one is his spookiest, most unnerving solo effort since Ghost Story.”Denver Post

“Peter Straub is just plain scary, never more so than in lost boy lost girl . . . an inspired mixture of creative dread and delight, seamlessly crafted so to defy description. . . . [He] breathes life into the dead, making it seem entirely possible, even logical, for such spirits to exist. . . . While the fear factor scores high, Straub makes it flow naturally because, not despite, a story line that stubbornly refuses to stick to chronology or a single narrative voice. He tells many stories in one.”The Columbus Dispatch

“A whale of a book.”Dark Realms

“This is the great novel of the supernatural Straub has always had in him to write . . . beautiful, moving, and spiritually rich.”Booklist

“Strikingly imagined.”Kirkus Reviews

“A ghost story, a serial killer story, a haunted house story and an unhappy family story told from multiple perspectives . . . taut and surprisingly moving, a treat even for those who don’t believe in ghosts . . . [Straub] is a deft and literate storyteller who makes you believe in the impossible.”Detroit News

Author

Peter Straub authored numerous bestselling novels, including Ghost Story, Floating Dragon, Shadowland, and Julia—as well as The Talisman and Black House, which he co-authored with Stephen King. He also published short fiction, poetry, and a graphic novel. A prolific Grand Master of Horror, he won the British Fantasy Award; ten Bram Stoker Awards; three International Horror Guild Awards; ten World Fantasy Awards; and was the recipient of several Lifetime Achievement Awards. He passed away in 2022. View titles by Peter Straub

Excerpt

1

Nancy Underhill’s death had been unexpected, abrupt—a death like a slap in the face. Tim, her husband’s older brother, knew nothing more. He could scarcely be said really to have known Nancy. On examination, Timothy Underhill’s memories of his sister-in-law shrank into a tiny collection of snapshots. Here was Nancy’s dark, fragile smile as she knelt beside her two-year-old son, Mark, in 1990; here she was, in another moment from that same visit, snatching up little Mark, both of them in tears, from his baby seat and rushing from the dim unadorned dining room. Philip, whose morose carping had driven his wife from the room, sat glaring at the dried-out pot roast, deliberately ignoring his brother’s presence. When at last he looked up, Philip said, “What?”

Ah Philip, you were ever a wonder. The kid can’t help being a turd, Pop said once. It seems to be one of the few things that make him feel good.

One more of cruel memory’s snapshots, this from an odd, eventful visit Tim had paid to Millhaven in 1993, when he flew the two and a half hours from La Guardia on the same carrier, and from all available evidence also the same craft, as this day: Nancy seen through the screen door of the little house on Superior Street, beaming as she hurried Tim-ward down the unlighted hallway, her face alight with the surprise and pleasure given her by the unexpected arrival on her doorstep of her brother-in-law (“famous” brother-in-law, she would have said). She had, simply, liked him, Nancy had, to an extent he’d understood only at that moment.

That quietly stressed out little woman, often (Tim thought) made wretched by her husband and sewn into her marriage by what seemed determination more than love, as if the preparation of many thousands of daily meals and a succession of household “projects” provided most of the satisfaction she needed to keep her in place. Of course Mark must have been essential; and maybe her marriage had been happier than Tim imagined. For both their sakes, he hoped it had been.

Philip’s behavior over the next few days would give him all the answers he was likely to get. And with Philip, interpretation was always necessary. Philip Underhill had cultivated an attitude of discontent ever since he had concluded that his older brother, whose flaws shone with a lurid radiance, had apparently seized from birth most of the advantages available to a member of the Underhill clan. From early in his life, nothing Philip could get or achieve was quite as good as it would have been but for the mocking, superior presence of his older brother. (In all honesty, Tim did not doubt that he had tended to lord it over his little brother. Was there ever an older brother who did not?) During all of Philip’s adult life, his grudging discontent had been like a role perfectly inhabited by an actor with a gift for the part: somewhere inside, Tim wanted to believe, the real Philip must have lived on, capable of joy, warmth, generosity, selflessness. It was this inner, more genuine self that was going to be needed in the wake of Nancy’s mysterious death. Philip would need it for his own sake if he were to face his grief head-on, as grief had to be faced; but more than that, he would need it for his son. It would be terrible for Mark if his father somehow tried to treat his mother’s death as yet another typical inconvenience different from the rest only by means of its severity.

From what Tim had seen on his infrequent returns to Millhaven, Mark seemed a bit troubled, though he did not wish to think of his nephew in the terms suggested by the word “troubled.” Unhappy, yes; restless; unfocused; afflicted with both a budding arrogance and what Tim had perceived was a good and tender heart. A combination so conflicted lent itself naturally to restlessness and lack of focus. So, as far as Tim remembered, did being fifteen years old. The boy was trim and compact, physically more like his mother than his father: dark-haired and dark-eyed—though presently his hair was clipped so short its color was merely some indeterminate shade of darkness—with a broad forehead and a narrow, decisive chin. Two steel rings rode the outer ridges of his right ear. He slopped around in big T-shirts and oversized jeans, alternately grimacing and grinning at the music earphoned into his head from an improbably tiny device, an iPod or an MP3 player. Mark was devoted to a strange cross section of contemporary music: Wilco, the Magnetic Fields, the White Stripes, the Strokes, Yo La Tengo, Spiritualized, and the Shins, but also Bruce Springsteen, Jimmy LaFave, and Eminem, whom he seemed to appreciate in an ironic spirit. His “pin-up girl,” he had informed his uncle in an e-mail, was Karen O of the Yeah Yeah Yeahs.

In the past sixteen months, Mark had e-mailed his uncle four times, not so briefly as to conceal a tone Tim found refreshing for being sidelong, sweet, and free of rhetorical overkill. Mark’s first and longest e-mail used the excuse of a request for advice, Tim thought, as a way to open communications between them.

Sent: Sunday, February 3, 2002 4:06 p.m.
Subject: speak, o wise one

hi de ho
this is your nephew mark in case u couldn’t decipher the from line. so I was having this lil disagreement with my father, and I wanted 2 ask your advice. after all u managed 2 get out of this burg & travel around & u write books & u live in nyc & all that means u shd have a pretty open mind. I hope it does.
bcuz u & u alone will decide what i do next. my dad sez he will go along with u no matter what. I dunno maybe he doesn’t want 2 have 2 decide. (mom sez, quote, don’t ask me, I don’t want to hear abt it, unquote. that’s what mom sez.)

i turn 14 next month and 2 celebrate my bday I’d like 2 get a tongue piercing. 1 of my friends has a pierced tongue and he sez it isn’t 2 painful at all and its over in a jiff. I’d really like 2 do this. don’t u think 14 is the rite age 2 go out and do something dumb, provided u do think it is dumb to pierce your tongue, which I obviously do not? in a year or 2 I’ll take it out & go back 2 being boring & normal. or what d’you say, move up 2 a cool tat?

waiting 2 hear from the famous unk

m