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Notes to John

Author Joan Didion
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Hardcover
$32.00 US
Knopf
6.4"W x 9.55"H x 0.92"D   | 16 oz | 12 per carton
On sale Apr 22, 2025 | 224 Pages | 9780593803677
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An extraordinary work from the author of The Year of Magical Thinking and Blue Nights

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne.

For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhood—misunderstandings and lack of communication with her mother and father, her early tendency to anticipate catastrophe—and the question of legacy, or, as she put it, “what it’s been worth.” The analysis would continue for more than a decade.

Didion’s journal was crafted with the singular intelligence, precision, and elegance that characterize all of her writing. It is an unprecedently intimate account that reveals sides of her that were unknown, but the voice is unmistakably hers—questioning, courageous, and clear in the face of a wrenchingly painful journey.
"Utterly fascinating. . . . Notes to John shares with Blue Nights the subject of mother and daughter, generational trauma and general anxiety, and both are written with Didion's constitutional meticulousness." —The New York Times

"More than direct, Notes to John is naked, unadorned. It's Didion but 'unprecedentedly intimate,' just as the copy on the book jacket promises." —The Atlantic

“An intimate chronicle of [Didion’s] struggle to help her daughter. . . . Written with her signature precision though without her usual stylistic, incantatory repetitions, it is the least guarded of Didion’s writing.” —NPR

“A tour de force from one of the best." —People

“Full of direct quotations and written with the immediacy of fresh recollection. . . . Readers of her memoirs will recognize how these notes inform those final books—the striving to understand and the sense of futility that comes with it.” —The New Yorker

"An act of intimate storytelling. . . . Didion fans (we know who we are) will feel hypnotized by these pages, not quite sure they should exist as a book, but leveled by the writer who produced them, by her honesty and heartbreak." —Vogue

"For all its rawness, its sense of open-endedness, Notes to John has the feeling of an integrated work. . . . We get the fuller story, so alive and febrile that it is not a story but instead a reckoning with what one can and can't accept or change." —Alta

"Notes to John makes for compulsive reading. . . . What an experience it is, watching Didion beat back tragedy with her brilliant mind." —The Telegraph

"The quantity of arresting and widely applicable insight makes Notes to John a profound, rich document. . . . Didion herself has rarely seemed so sympathetic in her own writing." —The New Statesman

"[Didion's] previously unpublished notes from her sessions with a psychiatrist offer an incredibly intimate insight into her relationship with her daughter, depression, and creativity." —The Guardian
JOAN DIDION was born in Sacramento in 1934 and graduated from the University of California, Berkeley, in 1956. After graduation, Didion moved to New York and began working for Vogue, which led to her career as a journalist and writer. Didion published her first novel, Run River, in 1963. Didion’s other novels include A Book of Common Prayer (1977), Democracy (1984), and The Last Thing He Wanted (1996).
 
Didion’s first volume of essays, Slouching Towards Bethlehem, was published in 1968, and her second, The White Album, was published in 1979. Her nonfiction works include Salvador (1983), Miami (1987), After Henry (1992), Political Fictions (2001), Where I Was From (2003), We Tell Ourselves Stories in Order to Live (2006), Blue Nights (2011), South and West (2017) and Let Me Tell You What I Mean (2021). Her memoir The Year of Magical Thinking won the National Book Award for Nonfiction in 2005.
 
In 2005, Didion was awarded the American Academy of Arts & Letters Gold Medal in Criticism and Belles Letters. In 2007, she was awarded the National Book Foundation’s Medal for Distinguished Contribution to American Letters. A portion of National Book Foundation citation read: "An incisive observer of American politics and culture for more than forty-five years, Didion’s distinctive blend of spare, elegant prose and fierce intelligence has earned her books a place in the canon of American literature as well as the admiration of generations of writers and journalists.” In 2013, she was awarded a National Medal of Arts and Humanities by President Barack Obama, and the PEN Center USA’s Lifetime Achievement Award.

Didion said of her writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” She died in December 2021. View titles by Joan Didion

About

An extraordinary work from the author of The Year of Magical Thinking and Blue Nights

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne.

For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhood—misunderstandings and lack of communication with her mother and father, her early tendency to anticipate catastrophe—and the question of legacy, or, as she put it, “what it’s been worth.” The analysis would continue for more than a decade.

Didion’s journal was crafted with the singular intelligence, precision, and elegance that characterize all of her writing. It is an unprecedently intimate account that reveals sides of her that were unknown, but the voice is unmistakably hers—questioning, courageous, and clear in the face of a wrenchingly painful journey.

Praise

"Utterly fascinating. . . . Notes to John shares with Blue Nights the subject of mother and daughter, generational trauma and general anxiety, and both are written with Didion's constitutional meticulousness." —The New York Times

"More than direct, Notes to John is naked, unadorned. It's Didion but 'unprecedentedly intimate,' just as the copy on the book jacket promises." —The Atlantic

“An intimate chronicle of [Didion’s] struggle to help her daughter. . . . Written with her signature precision though without her usual stylistic, incantatory repetitions, it is the least guarded of Didion’s writing.” —NPR

“A tour de force from one of the best." —People

“Full of direct quotations and written with the immediacy of fresh recollection. . . . Readers of her memoirs will recognize how these notes inform those final books—the striving to understand and the sense of futility that comes with it.” —The New Yorker

"An act of intimate storytelling. . . . Didion fans (we know who we are) will feel hypnotized by these pages, not quite sure they should exist as a book, but leveled by the writer who produced them, by her honesty and heartbreak." —Vogue

"For all its rawness, its sense of open-endedness, Notes to John has the feeling of an integrated work. . . . We get the fuller story, so alive and febrile that it is not a story but instead a reckoning with what one can and can't accept or change." —Alta

"Notes to John makes for compulsive reading. . . . What an experience it is, watching Didion beat back tragedy with her brilliant mind." —The Telegraph

"The quantity of arresting and widely applicable insight makes Notes to John a profound, rich document. . . . Didion herself has rarely seemed so sympathetic in her own writing." —The New Statesman

"[Didion's] previously unpublished notes from her sessions with a psychiatrist offer an incredibly intimate insight into her relationship with her daughter, depression, and creativity." —The Guardian

Author

JOAN DIDION was born in Sacramento in 1934 and graduated from the University of California, Berkeley, in 1956. After graduation, Didion moved to New York and began working for Vogue, which led to her career as a journalist and writer. Didion published her first novel, Run River, in 1963. Didion’s other novels include A Book of Common Prayer (1977), Democracy (1984), and The Last Thing He Wanted (1996).
 
Didion’s first volume of essays, Slouching Towards Bethlehem, was published in 1968, and her second, The White Album, was published in 1979. Her nonfiction works include Salvador (1983), Miami (1987), After Henry (1992), Political Fictions (2001), Where I Was From (2003), We Tell Ourselves Stories in Order to Live (2006), Blue Nights (2011), South and West (2017) and Let Me Tell You What I Mean (2021). Her memoir The Year of Magical Thinking won the National Book Award for Nonfiction in 2005.
 
In 2005, Didion was awarded the American Academy of Arts & Letters Gold Medal in Criticism and Belles Letters. In 2007, she was awarded the National Book Foundation’s Medal for Distinguished Contribution to American Letters. A portion of National Book Foundation citation read: "An incisive observer of American politics and culture for more than forty-five years, Didion’s distinctive blend of spare, elegant prose and fierce intelligence has earned her books a place in the canon of American literature as well as the admiration of generations of writers and journalists.” In 2013, she was awarded a National Medal of Arts and Humanities by President Barack Obama, and the PEN Center USA’s Lifetime Achievement Award.

Didion said of her writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” She died in December 2021. View titles by Joan Didion

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