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Maestra

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$16.00 US
5.46"W x 8.21"H x 0.7"D   | 9 oz | 24 per carton
On sale Apr 04, 2017 | 336 Pages | 9780399184277

THE INSTANT NEW YORK TIMES BESTSELLER AND THE PERFECT READ FOR FANS OF KILLING EVE

THE BEST OF SKIMM READS 2016

“One of this year’s most talked about novels.” —The Washington Post

“A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” —Vogue 

A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved—keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers.

The beginning of a darkly irresistible trilogy, Maestra follows the rise of Judith, a woman whose vulnerability and ruthlessness have left readers worldwide begging to know: where do you go when you've gone too far?
“A radical heroine. She deploys a uniquely female arsenal...weaponizing femininity...It’s hard not to feel vicariously empowered by a woman unapologetically in pursuit. Let’s call her the Sheryl Sandberg of sociopaths, leaning in to the hilt.”O, The Oprah Magazine
 
“One of this year’s most talked-about novels. . . . More mayhem, more art—and certainly more sex—lie ahead for insatiable Judith.”The Washington Post 
 
“This year's most erotic novel. . . . Unapologetic, confident and quite the sociopath, protagonist Judith Rashleigh is no Anastasia Steele.”New York Post
 
“[A] shopathon travelogue thriller that has billionaires, art world scheming, and a sociopathic heroine who can unfasten belt buckles with her teeth.”The New York Times

“An unpredictable London auction-house assistant turned high-class escort slips effortlessly into the world of the glamorous and wealthy, crossing international borders and leaving destruction in her wake.”The Wall Street Journal
 
“The European art world mixes with an underground world (hint: sex parties). This thriller is like The Talented Mr. Ripley meets The Girl with the Dragon Tattoo. Warning: it’s VNSFW. That V is for very.” —The Skimm

 “[J]ubilantly mordant...A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” -Vogue
 
“Ever since Gillian Flynn dominated the book club circuit (and the big screen) with her psychological thriller Gone Girl, everyone's been waiting for the next mystery to sink their teeth into. [Maestra] is it..”—InStyle

“A taut, meaty thriller . . . Judith Rashleigh’s single-minded and self-centered quest for wealth and acceptance could well be the most compelling since Patrick Bateman’s.”—Chicago Review of Books

“As readable as any crime thriller, but also clearly belongs in the literary tradition of Moll Flanders and Vanity Fair.”—Sunday Times (UK)

“Meet Judith, an art-house assistant who’ll make you root for the bad girl once you really get to know her.”—Marie Claire

“Thank the book gods that L. S. Hilton’s Maestra is only the first installment in a series.”—Redbook

“Hurry up and read this R-rated psychological thriller before it hits the big screen—it’s already been optioned by Columbia Pictures. Think 50 Shades of Grey meets The Talented Mr. Ripley.”—Allure.com

“Delicious escapism—I loved it!”—Clare Mackintosh, author of I Let You Go

“[A] deliciously Highsmithian thriller...As Judith assumes and sheds identities as effortlessly as her Louboutins during a twisty series of increasingly treacherous escapades, Hilton artfully conjures a glossy world where just about everything—and everyone—has its price.”—Publishers Weekly (starred review)

“Delicious...at once glamorous, edgy, decadent, erotic, and irresistible. Judith is just full of surprises. She is ruthless and yet vulnerable...[Maestra] is a gift for readers who delight in vengeful female protagonists.”—Booklist (starred review)

“Utterly un-put-down-able, a shocking and sexy psychological thriller.”—Popsugar
© Derrick Santini
L. S. Hilton is the author of the New York Times and internally bestselling novel Maestra and Domina. She grew up in England and has lived in Key West, New York City, Paris, and Milan. After graduating from Oxford, she studied art history in Paris and Florence. Hilton has worked as a journalist, art critic, and broadcaster, and is presently based in London. View titles by L.S. Hilton
Chapter One
 
If you asked me how it began, I could truthfully say that the first time, it was an accident. It was about six in the evening, the time when the city churns again on its axis, and though the streets above were full of the sharp wind of another piss-miserable May, the station was stuffy and humid, squalid with discarded tabloids and fast-food wrappings, irritable tourists in garish leisure wear crammed amid the resigned, sallow-faced commuters. I was waiting on the platform for the Piccadilly line at Green Park after another fabulous start to another fabulous week of being bullied and patronized at my super-fabulous job. As the train on the opposite side pulled away, a low collective groan rippled through the crowd. The board showed that the next Tube was stuck at Holborn. Someone on the tracks, probably. Typical, you could see people thinking. Why did they always have to top themselves at rush hour? The passengers across the line were moving off, among them a girl in crippling heels and an electric-blue bandage dress. Last season’s Alaïa via Zara, I thought. Probably on her way to the stinking tourist traps of Leicester Square with the other rube losers. She had extraordinary hair, a great cascading plum-colored mane of extensions with  some sort of gold thread bound through them that caught and held the neon light.

“Judeee! Judy! Is that you?" 

She started waving at me enthusiastically. I pretended not to hear.

“Judy! Over here!"

People were beginning to look. The girl had hobbled precariously close to the yellow safety stripe.

“It’s me! Leanne!"

“Your friend’s waving to you," said the woman next to me, helpfully.

“I’ll see you upstairs in a min!" I didn’t hear voices like hers very often anymore. I’d never expected to hear hers again. She obviously wasn’t going to disappear, and the train showed no sign of appearing, so I settled my heavy leather briefcase across my shoulder and pushed my way back through the crowd. She was waiting on the gangway between the platforms.

“Hiya! I thought it was you!"

“Hi, Leanne," I tried gingerly.

She tripped the last few steps toward me and threw her arms around me like I was her long-lost
sister.

“Look at you! Dead professional. I didn’t know you lived in London!" I didn’t point out that this was probably because I hadn’t spoken to her in a decade. Facebook friends weren’t really my style, nor did I need to be reminded, ever, of where I had come from.

Then I felt like a bitch. “You look great, Leanne. I love your hair."

“I don’t go by Leanne anymore, actually. It’s Mercedes now."

“Mercedes? That’s—nice. I use Judith mostly. Sounds more grown‑up."

“Yeah, well, look at us, eh? All grown up."

I don’t think I knew, then, what that felt like. I wondered if she did either.

“Listen, I’ve got an hour before work." Werk. “Do you fancy a quick drink? Catch up?"

I could have said I was busy, that I was in a rush, taken her number like I was actually going to call it. But where did I have to get to? And there was something in that voice, strangely welcome in its familiarity, that made me feel lonely and reassured at the same time. I had just two twenty-pound notes in the world, and there were three days before payday. Still, something might turn up.

“Sure,” I said. “Let me buy you a drink. Let’s go to the Ritz."

Two champagne cocktails in the Rivoli Bar, £38. I had twelve on my Tube card and two in hand.  I just wouldn’t have much to eat until the end of the week. It was stupid, maybe, to show off like that, but sometimes you need to show the world a bit of defiance. Leanne—Mercedes—fished enthusiastically with a fuchsia shellacked nail extension for the bobbing maraschino and took a cheerful slurp.

“That’s dead nice, thanks. Though I prefer Roederer now, myself."

Well, that served me right for being flash.

“I work round here," I volunteered. “Art. In an auction house. I do Old Masters." I didn’t, actually, but then I wasn’t sweating that Leanne would know a Rubens from a Rembrandt.

“Posh," she replied. She looked bored now, fiddling with the swizzle stick in her drink. I wondered if she was sorry she had called out to me, but instead of feeling annoyed I had a pathetic feeling that I wanted to please her.

“Sounds it,” I said confidentially, feeling the brandy and the sugar soothing their way into my blood, “but the pay’s crap. I’m skint, usually."

“Mercedes" told me she had been in London for a year. She worked in a champagne bar in St. James’s. “Reckons it’s classy, but it’s full of the same dirty old gits. Nothing dodgy,” she added hastily. “It’s only a bar. The tips are amazing, though."

She claimed she was making two grand a week. “Puts weight on you, though," she said ruefully, prodding her tiny belly. “All that drinking. Still, we don’t have to pay for it. Pour it into the plants if we have to, Olly says."
       
“Olly?"

“He’s the owner. Eh, you should come down sometime, Judy. Moonlight a bit if you’re broke. Olly’s always looking for girls. D’you want another one?"

An older couple in black tie, probably on their way to the opera, took the table opposite us. The woman ran her eyes critically over Mercedes’s fake-tanned legs, her shimmering cleavage. Mercedes swiveled in her chair, slowly and deliberately uncrossed and recrossed her legs, giving me and the poor old bugger next to her a flash of black lace G‑string, all the time staring straight into the woman’s eyes. There was no need to ask if anyone had a problem.

“As I was saying," she said when the woman turned, beet-faced, to the cocktail menu, “it’s a laugh." Laff. “The girls are from all over. You could look smashing if you got a bit dolled up. Come on."

I looked down at my black tweed Sandro suit. Nipped‑in jacket, flippy little pleated skirt. It was meant to look knowingly coquettish, professional with a little Left Bank spin, at least that’s what I told myself when I clumsily mended the hems for the umpteenth time, but next to Mercedes I looked like a depressed crow.

“Now?"

“Yeah, why not? I’ve got loads of stuff in me bag."

“I don’t know, Leanne."

“Mercedes."

“Sorry."

“Come on, you can wear my lace top. It’ll look ace with your tits. Unless you’ve got a date?"

“No,” I said, tipping my head right back to catch the last drops of bubbles and angostura. “No, I haven’t got a date."

About

THE INSTANT NEW YORK TIMES BESTSELLER AND THE PERFECT READ FOR FANS OF KILLING EVE

THE BEST OF SKIMM READS 2016

“One of this year’s most talked about novels.” —The Washington Post

“A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” —Vogue 

A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved—keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers.

The beginning of a darkly irresistible trilogy, Maestra follows the rise of Judith, a woman whose vulnerability and ruthlessness have left readers worldwide begging to know: where do you go when you've gone too far?

Praise

“A radical heroine. She deploys a uniquely female arsenal...weaponizing femininity...It’s hard not to feel vicariously empowered by a woman unapologetically in pursuit. Let’s call her the Sheryl Sandberg of sociopaths, leaning in to the hilt.”O, The Oprah Magazine
 
“One of this year’s most talked-about novels. . . . More mayhem, more art—and certainly more sex—lie ahead for insatiable Judith.”The Washington Post 
 
“This year's most erotic novel. . . . Unapologetic, confident and quite the sociopath, protagonist Judith Rashleigh is no Anastasia Steele.”New York Post
 
“[A] shopathon travelogue thriller that has billionaires, art world scheming, and a sociopathic heroine who can unfasten belt buckles with her teeth.”The New York Times

“An unpredictable London auction-house assistant turned high-class escort slips effortlessly into the world of the glamorous and wealthy, crossing international borders and leaving destruction in her wake.”The Wall Street Journal
 
“The European art world mixes with an underground world (hint: sex parties). This thriller is like The Talented Mr. Ripley meets The Girl with the Dragon Tattoo. Warning: it’s VNSFW. That V is for very.” —The Skimm

 “[J]ubilantly mordant...A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” -Vogue
 
“Ever since Gillian Flynn dominated the book club circuit (and the big screen) with her psychological thriller Gone Girl, everyone's been waiting for the next mystery to sink their teeth into. [Maestra] is it..”—InStyle

“A taut, meaty thriller . . . Judith Rashleigh’s single-minded and self-centered quest for wealth and acceptance could well be the most compelling since Patrick Bateman’s.”—Chicago Review of Books

“As readable as any crime thriller, but also clearly belongs in the literary tradition of Moll Flanders and Vanity Fair.”—Sunday Times (UK)

“Meet Judith, an art-house assistant who’ll make you root for the bad girl once you really get to know her.”—Marie Claire

“Thank the book gods that L. S. Hilton’s Maestra is only the first installment in a series.”—Redbook

“Hurry up and read this R-rated psychological thriller before it hits the big screen—it’s already been optioned by Columbia Pictures. Think 50 Shades of Grey meets The Talented Mr. Ripley.”—Allure.com

“Delicious escapism—I loved it!”—Clare Mackintosh, author of I Let You Go

“[A] deliciously Highsmithian thriller...As Judith assumes and sheds identities as effortlessly as her Louboutins during a twisty series of increasingly treacherous escapades, Hilton artfully conjures a glossy world where just about everything—and everyone—has its price.”—Publishers Weekly (starred review)

“Delicious...at once glamorous, edgy, decadent, erotic, and irresistible. Judith is just full of surprises. She is ruthless and yet vulnerable...[Maestra] is a gift for readers who delight in vengeful female protagonists.”—Booklist (starred review)

“Utterly un-put-down-able, a shocking and sexy psychological thriller.”—Popsugar

Author

© Derrick Santini
L. S. Hilton is the author of the New York Times and internally bestselling novel Maestra and Domina. She grew up in England and has lived in Key West, New York City, Paris, and Milan. After graduating from Oxford, she studied art history in Paris and Florence. Hilton has worked as a journalist, art critic, and broadcaster, and is presently based in London. View titles by L.S. Hilton

Excerpt

Chapter One
 
If you asked me how it began, I could truthfully say that the first time, it was an accident. It was about six in the evening, the time when the city churns again on its axis, and though the streets above were full of the sharp wind of another piss-miserable May, the station was stuffy and humid, squalid with discarded tabloids and fast-food wrappings, irritable tourists in garish leisure wear crammed amid the resigned, sallow-faced commuters. I was waiting on the platform for the Piccadilly line at Green Park after another fabulous start to another fabulous week of being bullied and patronized at my super-fabulous job. As the train on the opposite side pulled away, a low collective groan rippled through the crowd. The board showed that the next Tube was stuck at Holborn. Someone on the tracks, probably. Typical, you could see people thinking. Why did they always have to top themselves at rush hour? The passengers across the line were moving off, among them a girl in crippling heels and an electric-blue bandage dress. Last season’s Alaïa via Zara, I thought. Probably on her way to the stinking tourist traps of Leicester Square with the other rube losers. She had extraordinary hair, a great cascading plum-colored mane of extensions with  some sort of gold thread bound through them that caught and held the neon light.

“Judeee! Judy! Is that you?" 

She started waving at me enthusiastically. I pretended not to hear.

“Judy! Over here!"

People were beginning to look. The girl had hobbled precariously close to the yellow safety stripe.

“It’s me! Leanne!"

“Your friend’s waving to you," said the woman next to me, helpfully.

“I’ll see you upstairs in a min!" I didn’t hear voices like hers very often anymore. I’d never expected to hear hers again. She obviously wasn’t going to disappear, and the train showed no sign of appearing, so I settled my heavy leather briefcase across my shoulder and pushed my way back through the crowd. She was waiting on the gangway between the platforms.

“Hiya! I thought it was you!"

“Hi, Leanne," I tried gingerly.

She tripped the last few steps toward me and threw her arms around me like I was her long-lost
sister.

“Look at you! Dead professional. I didn’t know you lived in London!" I didn’t point out that this was probably because I hadn’t spoken to her in a decade. Facebook friends weren’t really my style, nor did I need to be reminded, ever, of where I had come from.

Then I felt like a bitch. “You look great, Leanne. I love your hair."

“I don’t go by Leanne anymore, actually. It’s Mercedes now."

“Mercedes? That’s—nice. I use Judith mostly. Sounds more grown‑up."

“Yeah, well, look at us, eh? All grown up."

I don’t think I knew, then, what that felt like. I wondered if she did either.

“Listen, I’ve got an hour before work." Werk. “Do you fancy a quick drink? Catch up?"

I could have said I was busy, that I was in a rush, taken her number like I was actually going to call it. But where did I have to get to? And there was something in that voice, strangely welcome in its familiarity, that made me feel lonely and reassured at the same time. I had just two twenty-pound notes in the world, and there were three days before payday. Still, something might turn up.

“Sure,” I said. “Let me buy you a drink. Let’s go to the Ritz."

Two champagne cocktails in the Rivoli Bar, £38. I had twelve on my Tube card and two in hand.  I just wouldn’t have much to eat until the end of the week. It was stupid, maybe, to show off like that, but sometimes you need to show the world a bit of defiance. Leanne—Mercedes—fished enthusiastically with a fuchsia shellacked nail extension for the bobbing maraschino and took a cheerful slurp.

“That’s dead nice, thanks. Though I prefer Roederer now, myself."

Well, that served me right for being flash.

“I work round here," I volunteered. “Art. In an auction house. I do Old Masters." I didn’t, actually, but then I wasn’t sweating that Leanne would know a Rubens from a Rembrandt.

“Posh," she replied. She looked bored now, fiddling with the swizzle stick in her drink. I wondered if she was sorry she had called out to me, but instead of feeling annoyed I had a pathetic feeling that I wanted to please her.

“Sounds it,” I said confidentially, feeling the brandy and the sugar soothing their way into my blood, “but the pay’s crap. I’m skint, usually."

“Mercedes" told me she had been in London for a year. She worked in a champagne bar in St. James’s. “Reckons it’s classy, but it’s full of the same dirty old gits. Nothing dodgy,” she added hastily. “It’s only a bar. The tips are amazing, though."

She claimed she was making two grand a week. “Puts weight on you, though," she said ruefully, prodding her tiny belly. “All that drinking. Still, we don’t have to pay for it. Pour it into the plants if we have to, Olly says."
       
“Olly?"

“He’s the owner. Eh, you should come down sometime, Judy. Moonlight a bit if you’re broke. Olly’s always looking for girls. D’you want another one?"

An older couple in black tie, probably on their way to the opera, took the table opposite us. The woman ran her eyes critically over Mercedes’s fake-tanned legs, her shimmering cleavage. Mercedes swiveled in her chair, slowly and deliberately uncrossed and recrossed her legs, giving me and the poor old bugger next to her a flash of black lace G‑string, all the time staring straight into the woman’s eyes. There was no need to ask if anyone had a problem.

“As I was saying," she said when the woman turned, beet-faced, to the cocktail menu, “it’s a laugh." Laff. “The girls are from all over. You could look smashing if you got a bit dolled up. Come on."

I looked down at my black tweed Sandro suit. Nipped‑in jacket, flippy little pleated skirt. It was meant to look knowingly coquettish, professional with a little Left Bank spin, at least that’s what I told myself when I clumsily mended the hems for the umpteenth time, but next to Mercedes I looked like a depressed crow.

“Now?"

“Yeah, why not? I’ve got loads of stuff in me bag."

“I don’t know, Leanne."

“Mercedes."

“Sorry."

“Come on, you can wear my lace top. It’ll look ace with your tits. Unless you’ve got a date?"

“No,” I said, tipping my head right back to catch the last drops of bubbles and angostura. “No, I haven’t got a date."