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Black Maria

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Paperback
$20.00 US
5.5"W x 9"H x 0.7"D   | 13 oz | 24 per carton
On sale Mar 20, 2007 | 256 Pages | 978-0-375-71050-6
Kevin Young follows his acclaimed exploration of the blues in Jelly Roll with another playful riff on a vital art form, giving us a film noir in verse. Black Maria–the title is a slang term for a police van as well as a hearse–is a twisting tale of suspicion, passion, mystery, and the city. Young channels the world of detective movies, picking up its lingo and dark glamour in five “reels” of poetry–the adventures of a “soft-boiled” private eye, known as A.K.A. Jones, and an ingenue turned femme fatale, Delilah Redbone, who’s come to town from down south (“Mama bent till dark / tending rows to send / Me to school . . . I wanted / To head on & hitch . . . strike it / Big”). We follow Jones and Delilah through a maze of aliases and ambushes, sex and suspicions, fast talk and hard luck, in Shadowtown where noir characters abound. The Killer, The Gunsel, The Hack, The Director, The Champ, and The Snitch are among the local luminaries and beautiful losers who mingle with Jones and his elusive lady as they stalk one another through the scenes of the poet’s dazzling “treatment.” Charming, funky, bleak, humorous, picaresque, and full of pathos, Black Maria is brimming with the originality and stark lyricism we have come to expect from this remarkable poet.

When we met her first request:
Got a light?
*
I only had dark
so gave her that instead.
*
Ashtray full of butts
& maybes.
*
The sound of her heels down the hall
to me means reveille.

(from “Stills”)

Click on the poem titles below to hear Kevin Young read from Black Maria.
© Maciek Jasik
KEVIN YOUNG is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture. He previously served as the director of the Schomburg Center for Research in Black Culture. Young is the author of fourteen books of poetry and prose, including BrownBlue LawsSelected & Uncollected Poems, 1995–2015Book of Hours, winner of the Lenore Marshall Poetry Prize from the Academy of American Poets; Jelly RollA Blues, a finalist for both the National Book Award and the Los Angeles Times Book Prize for Poetry; Bunk, a New York Times Notable Book; and The Grey Album, winner of the Graywolf Press Nonfiction Prize and the PEN Open Book Award, a New York Times Notable Book, and a finalist for the National Book Critics Circle Award for criticism. The poetry editor of The New Yorker, Young is the editor of nine other volumes of poetry, most recently, the acclaimed anthology African American Poetry250 Years of Struggle & Song. He is a member of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, and was named a chancellor of the Academy of American Poets in 2020. He lives in Washington, DC. View titles by Kevin Young

About

Kevin Young follows his acclaimed exploration of the blues in Jelly Roll with another playful riff on a vital art form, giving us a film noir in verse. Black Maria–the title is a slang term for a police van as well as a hearse–is a twisting tale of suspicion, passion, mystery, and the city. Young channels the world of detective movies, picking up its lingo and dark glamour in five “reels” of poetry–the adventures of a “soft-boiled” private eye, known as A.K.A. Jones, and an ingenue turned femme fatale, Delilah Redbone, who’s come to town from down south (“Mama bent till dark / tending rows to send / Me to school . . . I wanted / To head on & hitch . . . strike it / Big”). We follow Jones and Delilah through a maze of aliases and ambushes, sex and suspicions, fast talk and hard luck, in Shadowtown where noir characters abound. The Killer, The Gunsel, The Hack, The Director, The Champ, and The Snitch are among the local luminaries and beautiful losers who mingle with Jones and his elusive lady as they stalk one another through the scenes of the poet’s dazzling “treatment.” Charming, funky, bleak, humorous, picaresque, and full of pathos, Black Maria is brimming with the originality and stark lyricism we have come to expect from this remarkable poet.

When we met her first request:
Got a light?
*
I only had dark
so gave her that instead.
*
Ashtray full of butts
& maybes.
*
The sound of her heels down the hall
to me means reveille.

(from “Stills”)

Click on the poem titles below to hear Kevin Young read from Black Maria.

Author

© Maciek Jasik
KEVIN YOUNG is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture. He previously served as the director of the Schomburg Center for Research in Black Culture. Young is the author of fourteen books of poetry and prose, including BrownBlue LawsSelected & Uncollected Poems, 1995–2015Book of Hours, winner of the Lenore Marshall Poetry Prize from the Academy of American Poets; Jelly RollA Blues, a finalist for both the National Book Award and the Los Angeles Times Book Prize for Poetry; Bunk, a New York Times Notable Book; and The Grey Album, winner of the Graywolf Press Nonfiction Prize and the PEN Open Book Award, a New York Times Notable Book, and a finalist for the National Book Critics Circle Award for criticism. The poetry editor of The New Yorker, Young is the editor of nine other volumes of poetry, most recently, the acclaimed anthology African American Poetry250 Years of Struggle & Song. He is a member of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, and was named a chancellor of the Academy of American Poets in 2020. He lives in Washington, DC. View titles by Kevin Young