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Big Cherry Holler

A Novel

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Paperback
$17.00 US
5.24"W x 7.98"H x 0.77"D   | 9 oz | 32 per carton
On sale Mar 26, 2002 | 304 Pages | 978-0-345-44584-1
NEW YORK TIMES BESTSELLER • Ave Maria must decide between old love and new adventures in this enthralling second novel in the beloved Big Stone Gap series
 
“Heartwarming . . . Everything that really matters is here: humor, romance, wisdom, and drama.”—The Dallas Morning News

Eight years have passed since Ave Maria Mulligan married Jack Mac, moved up into the hills, and dug in her roots even deeper. But Ave Maria soon discovers that the mountains cannot shelter her from the painful lessons of the heart. As her life reaches a crossroads, almost everybody in town has advice to offer—including the Bookmobile’s self-appointed sexpert Iva Lou Wade, savvy pharmacy owner Pearl Grimes, crusty chain-smoking cashier Fleeta, and of course, the always-wise band director Theodore Tipton. But when Ave Maria takes her daughter to Italy for the summer, her passion for a seductive stranger will test her marriage—and push her to choose the man who is truly her destiny.

At once funny and deeply poignant, resonant with the power of love and forgiveness and the unexpected events that force us to stake a claim in our own lives, Big Cherry Holler is a wise, wonderful story to treasure.
 
Don’t miss any of Adriana Trigiani’s beloved Big Stone Gap series
BIG STONE GAP • BIG CHERRY HOLLER • MILK GLASS MOON • HOME TO BIG STONE GAP
“[Adriana] Trigiani is a wonderful storyteller. . . . Readers will enjoy Big Cherry Holler immensely.”USA Today
 
“Trigiani never loses hold of the hearts of her characters—or of the wisdom that tragedy and redemption are also part of life.”St. Louis Post-Dispatch
 
“As skillfully as Ms. Trigiani makes us laugh, she makes us cry.... This novel shares the strengths of Big Stone Gap. Its dialogue is perfectly tuned to the speech of Southwest Virginia. Its settings—a mountain town in Virginia and a mountain town in Italy—are portrayed accurately, with beautiful detail. Its pace never lags for a moment. Big Cherry Holler builds on these strengths and moves to a more involving emotional level. . . . Satisfying reading.”Richmond Times-Dispatch
 
“Trigiani can make you laugh in one sentence then break your heart the next. Her Big Stone Gap series is sure to become the next Mitford.”The Clarion-Ledger
 
“A big-hearted novel that alternates dollops of comfort with moments of folksy charm and stark poignancy . . . Ave is a spunky and likable narrator; the novel is populated with many of the same characters readers found endearing the first time around; and the story of a mother grappling with grief over the loss of a child is genuinely moving.”Publishers Weekly
 
“Recommended . . . This novel of love and forgiveness delivers its story in a believable manner. Ave Maria remains someone readers would like to know, and Iva Lou, her librarian friend, still has her finger on the pulse of Mars/Venus relationships in this neck of the woods.”Library Journal

“Trigiani provides plenty of colorful scenery, whether she’s traversing the Appalachians or the Alps. Her narrative canters along at a lively pace, and her supporting characters, especially Iva Lou and Fleeta, supply comic relief.”The State

Big Cherry Holler is every bit as engaging as its predecessor is and bittersweet. Trigiani fans will want more pages to turn.”Style Weekly
© Tim Stephenson c 2022 New York City
Adriana Trigiani is the New York Times bestselling author of twenty books of fiction and nonfiction, including The Shoemaker’s Wife. Her books have been published in thirty-eight languages around the world. She is an award-winning playwright, television writer/producer, and filmmaker. Among her screen credits, Trigiani wrote and directed the major motion picture adaptation of her debut novel, Big Stone Gap. Adriana grew up in the Blue Ridge Mountains of Virginia, where she co-founded the Origin Project. Trigiani is proud to serve on the New York State Council on the Arts. She lives in New York City with her family. View titles by Adriana Trigiani
CHAPTER ONE

The rain is coming down on this old stone house so hard, it seems there are a hundred tap dancers on the roof. When Etta left for school this morning, it was drizzling, and now, at two o'clock, it's a storm. I can barely see Powell Mountain out my kitchen window; just yesterday it was a shimmering gold pyramid of autumn leaves at their peak. I hope the downpour won't beat the color off the trees too soon. We have all winter for Cracker's Neck Holler to wear gray. How I love these mountains in October: the leaves are turning — layers of burgundy and yellow crinolines that change color in the light — the apples are in, the air smells like sweet smoke, and I get to build big fires in Mrs. Mac's deep hearths. As I kneel and slip a log into the stove, I think of my mother-in-law, who had fires going after the first chill in the air. "I love me a farr," she'd say.

There's a note on the blackboard over the sink in Jack Mac's handwriting: Red pepper sandwiches? The message is at least three months old; no one should have to wait that long for their favorite sandwich, least of all my husband. Why does it takes me so long to fulfill a simple request? There was a time when he came first, when I would drop everything and invent ways to make my husband happy. I wonder if he notices that life has put him in second place. If he doesn't, my magazine subscriptions sure do. Redbook came with a cover exploding in hot pink letters: put the sizzle back in your marriage! we show you how! Step #4 is Make His Favorite Food. (Don’t ask about the other nine steps.) So, with equal measures of guilt and determination to do better, I'm roasting peppers in the oven, turning them while they char as dark as the sky.

I baked the bread for the sandwiches this morning. I pull the cookie sheet off the deep windowsill, brush the squares of puffy dough with olive oil, and put them aside. Then I take the tray out of the oven and commence peeling the peppers. (This is a sit-down job.) My mother used to lift off the charred part in one piece; I've yet to master her technique. The vivid red pepper underneath is smooth as the velvet lining of an old jewelry box. I lay the thin red strips on the soft bread. The mix of olive oil and sweet hot bread smells fresh and buttery. I sprinkle coarse salt on the open sandwiches; the faceted crystals glisten on the red peppers. I'm glad I made a huge batch. There will be lots of us in the van tonight.

There's big news around here. Etta is going to be on television. She and two of her classmates are going on Kiddie Kollege, the WCYB quiz show for third-graders. Etta, who loves to read, has been chosen for her general knowledge. Her fellow teammates are Jane Herd and Billy Skeens. Jane, a math whiz who has the round cheeks of a monarch, has been selected for her keen ability to divide in her head. Billy, a small but mighty Melungeon boy, was chosen for his bravery. He recently helped evacuate the Big Stone Gap Elementary School cafeteria when one of the steam tables caught fire. No one could come up with a prize big enough to honor him (an assembly and a medal seemed silly), so the school decided to put him on the show. I guess the teachers feel that fame is its own reward.

Jack Mac borrowed the van from Sacred Heart Church because we’re transporting the team and I've promised rides to our friends. The television studio is about an hour and a half from the Gap, right past Kingsport over in Bristol, Tennessee. The show is live at six p.m. sharp, so we'll leave right after school. Etta planned her outfit carefully: a navy blue skirt and pink sweater (her grandfather Mario sent it to her from Italy, so Etta thinks it’s the best sweater she owns, if not the luckiest). She is wearing her black patent-leather Mary Janes, though I pointed out that you rarely see anyone's shoes on TV.

I make one final pass through the downstairs, locking up as I go. With its simple, square rooms and lots of floor space, this old house is perfect for raising kids. Of course, when Mrs. Mac was alive, I never dreamed I'd live here. For a few years, this was just another delivery stop for me in the Medicine Dropper. I remember how I loved to drive up the bumpy dirt road and see this stone house sitting in a clearing against the mountain like a painting. If I had known that Mrs. Mac would one day be my mother-in-law, I might have tried to impress her. But I didn't. I'd drop off her pills, have a cup of coffee, and go. I never thought I would fall in love with her only son. And I never thought I would be looking at my face in these mottled antique mirrors, or building fires for heat, or raising her granddaughter in these rooms. If you had told me that I would make my home in this holler on this mountain, I would have laughed. I grew up down in town; no one ever moves out of Big Stone Gap and up into the hills. How strange life is.

I check myself in the mirror. Etta is forever begging me to wear more makeup. She wants me to be a young mom, like her friends have; in these parts, the women my age are grandmothers! So I stop in the hallway for a moment and dig for the lipstick in the bottom of my purse. My youthful appeal will have to come from a tube. You would think that someone who has worked in a pharmacy all her life would have one of those snazzy makeup bags. We have a whole spin rack of them at the Mutual's. Maybe Etta's right, I should pay more attention to the way I look. (Covering up my undereye circles is just not a priority.) Folks tell me that I haven't changed since I was a girl. Is that a good thing? I lean into the tea-stained glass and take a closer look. Eight years with Jack MacChesney have come and gone. It seems once I fell in love with him, time began flying.

Someone is banging on the front door. The thunder is so loud, I didn't hear a car come up the road. With one hand, Doris Bentrup from the flower shop juggles an umbrella in the wind and with the other, a stack of white boxes festooned with lavender ribbons. Two pairs of reading glasses dangle from her neck. Beads of rain cover the clear plastic cap she wears on her head.

"Come on in!"

"Can't. Got a wagon full of flowers. Got a funeral over in Pound. I'm gonna kill myself if this rain done ruined my hair."

"It looks good." I'm about a foot taller than Doris, so I look down on her tiny curls, each one a perfect rosette of blue icing under a saran-wrap tent.

"It'd better. I suffered for this look. I sat under that dryer over to Ethel's for two hours on Saturdee 'cause of the humidity. She sprayed my head so bad these curls is like tee-niney rocks. Feel."

"They're perfect," I tell Doris without touching her head.

"Etta all ready for the big show?"

"Yes ma'am."

"We hope they win this year, on account of no one from Big Stone ever wins."

"Didn't the Dogwood Garden Club win on Club Quiz?"

"Yes'm. But that was a good ten year' ago. And they was grown-ups, so I don't think you can count 'at. Wait till you see who these is from. I nearly done dropped my teeth, and you know that ain't easy, 'cause I glue 'em in good."

I pull the tiny white card bordered in crisp pink daisies out of the envelope. It reads: Knock 'em dead, Etta. And remember, the cardinal is the state bird of Virginia. Love, Uncle Theodore.

"That there Tipton is a class act. He ain't never gonna be replaced in these parts," Doris announces as she tips her head back to let the rain drain off her cap. "Sometimes we git a ferriner in here that makes us set up and take notice. How’s he doin' at U.T.?"

"He says he's got the best marching band in the nation."

"Now if they'd only start winning them some ball games."

As Doris makes a break for her station wagon, I open a box. There, crisp and perfect, is a wrist corsage of white carnations. Nestled in the cold petals are three small gold-foil letters: win. I inhale the fresh, cold flowers. The letters tickle my nose and remind me of the homecoming mums that Theodore bought me every year during football season. For nearly ten years, Theodore was band director and Junior Class Sponsor at Powell Valley High School. He chaperoned every dance, and I was always his date. (Parents appreciated that an experienced member of the Rescue Squad chaperoned school dances.) Theodore always made a big deal of slipping the corsage onto my wrist before the game. Win or lose, the dance was a celebration because Theodore’s halftime shows were always spectacular. Besides his unforgettable salute to Elizabeth Taylor prior to her choking on the chicken bone, my favorite was his salute to the Great American Musical, honoring the creations of Rodgers and Hammerstein. Each of the majorettes was dressed as a different lead character, including Maria from The Sound of Music and Julie Jordan from Carousel. Romalinda Miranda, daughter of the Filipino Doctor Who Was on the Team That Saved Liz Taylor, was the ingenue from Flower Drum Song. Theodore pulled her from the Flag Girls; there was a bit of a drama around that, as folks didn’t think that a majorette should be drafted out of thin air for one show just because she looked like she was from the original cast. Once the controversy died down, the Miranda family basked in the glory of the celebration of their Asian heritage. (Extra points for my fellow ferriners.)

I gently place the boxes on top of my tote bag full of things we might need for the television appearance. Extra kneesocks. Chap Stick. Comb. Ribbons. My life is all about collecting things for my family and then putting them back. Lists. Hauling. And I'd better never forget anything. Even Jack relies on me for tissues when he sneezes and quarters for the paper. Sometimes I wonder if all these small details add up to anything.

About

NEW YORK TIMES BESTSELLER • Ave Maria must decide between old love and new adventures in this enthralling second novel in the beloved Big Stone Gap series
 
“Heartwarming . . . Everything that really matters is here: humor, romance, wisdom, and drama.”—The Dallas Morning News

Eight years have passed since Ave Maria Mulligan married Jack Mac, moved up into the hills, and dug in her roots even deeper. But Ave Maria soon discovers that the mountains cannot shelter her from the painful lessons of the heart. As her life reaches a crossroads, almost everybody in town has advice to offer—including the Bookmobile’s self-appointed sexpert Iva Lou Wade, savvy pharmacy owner Pearl Grimes, crusty chain-smoking cashier Fleeta, and of course, the always-wise band director Theodore Tipton. But when Ave Maria takes her daughter to Italy for the summer, her passion for a seductive stranger will test her marriage—and push her to choose the man who is truly her destiny.

At once funny and deeply poignant, resonant with the power of love and forgiveness and the unexpected events that force us to stake a claim in our own lives, Big Cherry Holler is a wise, wonderful story to treasure.
 
Don’t miss any of Adriana Trigiani’s beloved Big Stone Gap series
BIG STONE GAP • BIG CHERRY HOLLER • MILK GLASS MOON • HOME TO BIG STONE GAP

Praise

“[Adriana] Trigiani is a wonderful storyteller. . . . Readers will enjoy Big Cherry Holler immensely.”USA Today
 
“Trigiani never loses hold of the hearts of her characters—or of the wisdom that tragedy and redemption are also part of life.”St. Louis Post-Dispatch
 
“As skillfully as Ms. Trigiani makes us laugh, she makes us cry.... This novel shares the strengths of Big Stone Gap. Its dialogue is perfectly tuned to the speech of Southwest Virginia. Its settings—a mountain town in Virginia and a mountain town in Italy—are portrayed accurately, with beautiful detail. Its pace never lags for a moment. Big Cherry Holler builds on these strengths and moves to a more involving emotional level. . . . Satisfying reading.”Richmond Times-Dispatch
 
“Trigiani can make you laugh in one sentence then break your heart the next. Her Big Stone Gap series is sure to become the next Mitford.”The Clarion-Ledger
 
“A big-hearted novel that alternates dollops of comfort with moments of folksy charm and stark poignancy . . . Ave is a spunky and likable narrator; the novel is populated with many of the same characters readers found endearing the first time around; and the story of a mother grappling with grief over the loss of a child is genuinely moving.”Publishers Weekly
 
“Recommended . . . This novel of love and forgiveness delivers its story in a believable manner. Ave Maria remains someone readers would like to know, and Iva Lou, her librarian friend, still has her finger on the pulse of Mars/Venus relationships in this neck of the woods.”Library Journal

“Trigiani provides plenty of colorful scenery, whether she’s traversing the Appalachians or the Alps. Her narrative canters along at a lively pace, and her supporting characters, especially Iva Lou and Fleeta, supply comic relief.”The State

Big Cherry Holler is every bit as engaging as its predecessor is and bittersweet. Trigiani fans will want more pages to turn.”Style Weekly

Author

© Tim Stephenson c 2022 New York City
Adriana Trigiani is the New York Times bestselling author of twenty books of fiction and nonfiction, including The Shoemaker’s Wife. Her books have been published in thirty-eight languages around the world. She is an award-winning playwright, television writer/producer, and filmmaker. Among her screen credits, Trigiani wrote and directed the major motion picture adaptation of her debut novel, Big Stone Gap. Adriana grew up in the Blue Ridge Mountains of Virginia, where she co-founded the Origin Project. Trigiani is proud to serve on the New York State Council on the Arts. She lives in New York City with her family. View titles by Adriana Trigiani

Excerpt

CHAPTER ONE

The rain is coming down on this old stone house so hard, it seems there are a hundred tap dancers on the roof. When Etta left for school this morning, it was drizzling, and now, at two o'clock, it's a storm. I can barely see Powell Mountain out my kitchen window; just yesterday it was a shimmering gold pyramid of autumn leaves at their peak. I hope the downpour won't beat the color off the trees too soon. We have all winter for Cracker's Neck Holler to wear gray. How I love these mountains in October: the leaves are turning — layers of burgundy and yellow crinolines that change color in the light — the apples are in, the air smells like sweet smoke, and I get to build big fires in Mrs. Mac's deep hearths. As I kneel and slip a log into the stove, I think of my mother-in-law, who had fires going after the first chill in the air. "I love me a farr," she'd say.

There's a note on the blackboard over the sink in Jack Mac's handwriting: Red pepper sandwiches? The message is at least three months old; no one should have to wait that long for their favorite sandwich, least of all my husband. Why does it takes me so long to fulfill a simple request? There was a time when he came first, when I would drop everything and invent ways to make my husband happy. I wonder if he notices that life has put him in second place. If he doesn't, my magazine subscriptions sure do. Redbook came with a cover exploding in hot pink letters: put the sizzle back in your marriage! we show you how! Step #4 is Make His Favorite Food. (Don’t ask about the other nine steps.) So, with equal measures of guilt and determination to do better, I'm roasting peppers in the oven, turning them while they char as dark as the sky.

I baked the bread for the sandwiches this morning. I pull the cookie sheet off the deep windowsill, brush the squares of puffy dough with olive oil, and put them aside. Then I take the tray out of the oven and commence peeling the peppers. (This is a sit-down job.) My mother used to lift off the charred part in one piece; I've yet to master her technique. The vivid red pepper underneath is smooth as the velvet lining of an old jewelry box. I lay the thin red strips on the soft bread. The mix of olive oil and sweet hot bread smells fresh and buttery. I sprinkle coarse salt on the open sandwiches; the faceted crystals glisten on the red peppers. I'm glad I made a huge batch. There will be lots of us in the van tonight.

There's big news around here. Etta is going to be on television. She and two of her classmates are going on Kiddie Kollege, the WCYB quiz show for third-graders. Etta, who loves to read, has been chosen for her general knowledge. Her fellow teammates are Jane Herd and Billy Skeens. Jane, a math whiz who has the round cheeks of a monarch, has been selected for her keen ability to divide in her head. Billy, a small but mighty Melungeon boy, was chosen for his bravery. He recently helped evacuate the Big Stone Gap Elementary School cafeteria when one of the steam tables caught fire. No one could come up with a prize big enough to honor him (an assembly and a medal seemed silly), so the school decided to put him on the show. I guess the teachers feel that fame is its own reward.

Jack Mac borrowed the van from Sacred Heart Church because we’re transporting the team and I've promised rides to our friends. The television studio is about an hour and a half from the Gap, right past Kingsport over in Bristol, Tennessee. The show is live at six p.m. sharp, so we'll leave right after school. Etta planned her outfit carefully: a navy blue skirt and pink sweater (her grandfather Mario sent it to her from Italy, so Etta thinks it’s the best sweater she owns, if not the luckiest). She is wearing her black patent-leather Mary Janes, though I pointed out that you rarely see anyone's shoes on TV.

I make one final pass through the downstairs, locking up as I go. With its simple, square rooms and lots of floor space, this old house is perfect for raising kids. Of course, when Mrs. Mac was alive, I never dreamed I'd live here. For a few years, this was just another delivery stop for me in the Medicine Dropper. I remember how I loved to drive up the bumpy dirt road and see this stone house sitting in a clearing against the mountain like a painting. If I had known that Mrs. Mac would one day be my mother-in-law, I might have tried to impress her. But I didn't. I'd drop off her pills, have a cup of coffee, and go. I never thought I would fall in love with her only son. And I never thought I would be looking at my face in these mottled antique mirrors, or building fires for heat, or raising her granddaughter in these rooms. If you had told me that I would make my home in this holler on this mountain, I would have laughed. I grew up down in town; no one ever moves out of Big Stone Gap and up into the hills. How strange life is.

I check myself in the mirror. Etta is forever begging me to wear more makeup. She wants me to be a young mom, like her friends have; in these parts, the women my age are grandmothers! So I stop in the hallway for a moment and dig for the lipstick in the bottom of my purse. My youthful appeal will have to come from a tube. You would think that someone who has worked in a pharmacy all her life would have one of those snazzy makeup bags. We have a whole spin rack of them at the Mutual's. Maybe Etta's right, I should pay more attention to the way I look. (Covering up my undereye circles is just not a priority.) Folks tell me that I haven't changed since I was a girl. Is that a good thing? I lean into the tea-stained glass and take a closer look. Eight years with Jack MacChesney have come and gone. It seems once I fell in love with him, time began flying.

Someone is banging on the front door. The thunder is so loud, I didn't hear a car come up the road. With one hand, Doris Bentrup from the flower shop juggles an umbrella in the wind and with the other, a stack of white boxes festooned with lavender ribbons. Two pairs of reading glasses dangle from her neck. Beads of rain cover the clear plastic cap she wears on her head.

"Come on in!"

"Can't. Got a wagon full of flowers. Got a funeral over in Pound. I'm gonna kill myself if this rain done ruined my hair."

"It looks good." I'm about a foot taller than Doris, so I look down on her tiny curls, each one a perfect rosette of blue icing under a saran-wrap tent.

"It'd better. I suffered for this look. I sat under that dryer over to Ethel's for two hours on Saturdee 'cause of the humidity. She sprayed my head so bad these curls is like tee-niney rocks. Feel."

"They're perfect," I tell Doris without touching her head.

"Etta all ready for the big show?"

"Yes ma'am."

"We hope they win this year, on account of no one from Big Stone ever wins."

"Didn't the Dogwood Garden Club win on Club Quiz?"

"Yes'm. But that was a good ten year' ago. And they was grown-ups, so I don't think you can count 'at. Wait till you see who these is from. I nearly done dropped my teeth, and you know that ain't easy, 'cause I glue 'em in good."

I pull the tiny white card bordered in crisp pink daisies out of the envelope. It reads: Knock 'em dead, Etta. And remember, the cardinal is the state bird of Virginia. Love, Uncle Theodore.

"That there Tipton is a class act. He ain't never gonna be replaced in these parts," Doris announces as she tips her head back to let the rain drain off her cap. "Sometimes we git a ferriner in here that makes us set up and take notice. How’s he doin' at U.T.?"

"He says he's got the best marching band in the nation."

"Now if they'd only start winning them some ball games."

As Doris makes a break for her station wagon, I open a box. There, crisp and perfect, is a wrist corsage of white carnations. Nestled in the cold petals are three small gold-foil letters: win. I inhale the fresh, cold flowers. The letters tickle my nose and remind me of the homecoming mums that Theodore bought me every year during football season. For nearly ten years, Theodore was band director and Junior Class Sponsor at Powell Valley High School. He chaperoned every dance, and I was always his date. (Parents appreciated that an experienced member of the Rescue Squad chaperoned school dances.) Theodore always made a big deal of slipping the corsage onto my wrist before the game. Win or lose, the dance was a celebration because Theodore’s halftime shows were always spectacular. Besides his unforgettable salute to Elizabeth Taylor prior to her choking on the chicken bone, my favorite was his salute to the Great American Musical, honoring the creations of Rodgers and Hammerstein. Each of the majorettes was dressed as a different lead character, including Maria from The Sound of Music and Julie Jordan from Carousel. Romalinda Miranda, daughter of the Filipino Doctor Who Was on the Team That Saved Liz Taylor, was the ingenue from Flower Drum Song. Theodore pulled her from the Flag Girls; there was a bit of a drama around that, as folks didn’t think that a majorette should be drafted out of thin air for one show just because she looked like she was from the original cast. Once the controversy died down, the Miranda family basked in the glory of the celebration of their Asian heritage. (Extra points for my fellow ferriners.)

I gently place the boxes on top of my tote bag full of things we might need for the television appearance. Extra kneesocks. Chap Stick. Comb. Ribbons. My life is all about collecting things for my family and then putting them back. Lists. Hauling. And I'd better never forget anything. Even Jack relies on me for tissues when he sneezes and quarters for the paper. Sometimes I wonder if all these small details add up to anything.