With its vibrant new translation, perceptive introduction, and witty packaging, this new edition of Voltaire’s masterpiece belongs in the hands of every reader pondering our assumptions about human behavior and our place in the world. Candide tells of the hilarious adventures of the naïve Candide, who doggedly believes that “all is for the best” even when faced with injustice, suffering, and despair. Controversial and entertaining, Candide is a book that is vitally relevant today in our world pervaded by—as Candide would say—“the mania for insisting that all is well when all is by no means well.”
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering." —Fast Company
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.” —Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf." —Rex Bonomelli, The New York Times
"Drool-inducing." —Flavorwire
"Classic reads in stunning covers—your book club will be dying." —Redbook
François-Marie Arouet, writing under the pseudonym Voltaire, was born in 1694 into a Parisian bourgeois family. Educated by Jesuits, he was an excellent pupil but one quickly enraged by dogma. An early rift with his father—who wished him to study law—led to his choice of letters as a career. Insinuating himself into court circles, he became notorious for lampoons on leading notables and was twice imprisoned in the Bastille.
By his mid-thirties his literary activities precipitated a four-year exile in England where he won the praise of Swift and Pope for his political tracts. His publication, three years later in France, of Lettres philosophiques sur les Anglais (1733)—an attack on French Church and State—forced him to flee again. For twenty years Voltaire lived chiefly away from Paris. In this, his most prolific period, he wrote such satirical tales as “Zadig” (1747) and “Candide” (1759). His old age at Ferney, outside Geneva, was made bright by his adopted daughter, “Belle et Bonne,” and marked by his intercessions in behalf of victims of political injustice. Sharp-witted and lean in his white wig, impatient with all appropriate rituals, he died in Paris in 1778—the foremost French author of his day.
CHRIS WARE is widely acknowledged to be the most gifted and beloved cartoonist of his generation by both his mother and fourteen-year-old daughter. His Jimmy Corrigan: The Smartest Kid on Earth won the Guardian First Book Award and was listed as one of the 100 Best Books of the Decade by The Times (London) in 2009. Building Stories was named a Top Ten Fiction Book of the Year in 2012 by both The New York Times and Time magazine. Ware is an irregular contributor to The New Yorker, and his original drawings have been exhibited at the Whitney Biennial, in the Museum of Contemporary Art in Chicago, and in piles behind his worktable in Oak Park, Illinois. In 2016 he was featured in the PBS documentary series Art 21: Art in the 21st Century, and in 2017 an eponymous monograph of his work was published by Rizzoli.
View titles by Chris Ware
With its vibrant new translation, perceptive introduction, and witty packaging, this new edition of Voltaire’s masterpiece belongs in the hands of every reader pondering our assumptions about human behavior and our place in the world. Candide tells of the hilarious adventures of the naïve Candide, who doggedly believes that “all is for the best” even when faced with injustice, suffering, and despair. Controversial and entertaining, Candide is a book that is vitally relevant today in our world pervaded by—as Candide would say—“the mania for insisting that all is well when all is by no means well.”
Praise
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering." —Fast Company
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.” —Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf." —Rex Bonomelli, The New York Times
"Drool-inducing." —Flavorwire
"Classic reads in stunning covers—your book club will be dying." —Redbook
Author
François-Marie Arouet, writing under the pseudonym Voltaire, was born in 1694 into a Parisian bourgeois family. Educated by Jesuits, he was an excellent pupil but one quickly enraged by dogma. An early rift with his father—who wished him to study law—led to his choice of letters as a career. Insinuating himself into court circles, he became notorious for lampoons on leading notables and was twice imprisoned in the Bastille.
By his mid-thirties his literary activities precipitated a four-year exile in England where he won the praise of Swift and Pope for his political tracts. His publication, three years later in France, of Lettres philosophiques sur les Anglais (1733)—an attack on French Church and State—forced him to flee again. For twenty years Voltaire lived chiefly away from Paris. In this, his most prolific period, he wrote such satirical tales as “Zadig” (1747) and “Candide” (1759). His old age at Ferney, outside Geneva, was made bright by his adopted daughter, “Belle et Bonne,” and marked by his intercessions in behalf of victims of political injustice. Sharp-witted and lean in his white wig, impatient with all appropriate rituals, he died in Paris in 1778—the foremost French author of his day.
CHRIS WARE is widely acknowledged to be the most gifted and beloved cartoonist of his generation by both his mother and fourteen-year-old daughter. His Jimmy Corrigan: The Smartest Kid on Earth won the Guardian First Book Award and was listed as one of the 100 Best Books of the Decade by The Times (London) in 2009. Building Stories was named a Top Ten Fiction Book of the Year in 2012 by both The New York Times and Time magazine. Ware is an irregular contributor to The New Yorker, and his original drawings have been exhibited at the Whitney Biennial, in the Museum of Contemporary Art in Chicago, and in piles behind his worktable in Oak Park, Illinois. In 2016 he was featured in the PBS documentary series Art 21: Art in the 21st Century, and in 2017 an eponymous monograph of his work was published by Rizzoli.
View titles by Chris Ware
